We should attempt to bring nature, houses, and human beings together in a higher unity.
Ludwig Mies Van Der RoheRead
Our utilitarian structures will mature into architecture only when, through their fulfillment of function, they become carriers of the will of the age.
Interpretation
Architecture transcends mere function when it embodies the spirit of contemporary society.
This quote by Ludwig Mies Van Der Rohe suggests that the true value of architecture lies not just in its functionality but in its ability to reflect the values, aspirations, and identity of the time in which it is built. As structures evolve from mere utilitarian function to art, they become significant cultural landmarks that resonate with the spirit of their era.
In practice
This quote can be used in a lecture about modern architecture to illustrate the importance of context in design.
We should attempt to bring nature, houses, and human beings together in a higher unity.
Architecture depends on facts, but its real field of activity lies in the realm of the significance.
The demands of the time for objectivity and functionality must be fulfilled. If that clearly happens, then the buildings of our day will convey the greatness of which the age is capable, and only a fool will maintain that they lack it.
I think that an industrial process is not like a rubber stamp. Everything has to be put together and, as such, should have its own expression.
Reinforced concrete buildings are by nature skeletal buildings. No noodles nor armoured turrets. A construction of girders that carry the weight, and walls that carry no weight. That is to say, buildings consisting of skin and bones.
Modern buildings of our time are so huge that one must group them. Often the space between these buildings is as important as the buildings themselves.
I did not go into the film business to be symbolized as someone else's vision of me.
I wanted my dad to be proud of me, and I fell into acting because there wasn't anything else I could do, and in it I found a discipline that I wanted to keep coming back to, that I love and I learn about every day.
The thing a drama school can't give you is instinct. It can sharpen instinct but that can't be taught, and you have to have intuition. It's an essential ingredient.
All the dancer's gestures are signs of things, and the dance called rational, because it aptly signifies and displays something over and above the pleasure of the senses.
I doubt that I could create a character I loathed simply because when a character takes life, it is impossible not to be a little amazed by the phenomenon, and to find that the amazement has something of the quality of delight.
There's so much chaos in life, I think I make music to make things feel calm and sane, to define something, to bring some meaning into it - it's a real peaceful thing to me.
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