I had a vague idea of the song's impact in the '60s, but that was tempered by the hate mail and threats I was receiving. It was only about ten years ago, when I finally put it back in my show because so many people were asking for it, that I understood 'Society's Child' real impact.
Interpretation
The quote reflects on the powerful yet challenging impact of a song over time.
Janis Ian's reflection on her song 'Society's Child' highlights the complex relationship between art and society. Initially received with mixed feelings, including negativity, she later recognized its significant influence on listeners and its role in addressing social issues, showing how artistic expression can evolve in public perception over time.
In practice
During a panel discussion about the evolution of music and its effect on society.
I was one of I think three white girls in my school. So, I was very much an outsider. And plus I was Jewish and all of my friends were black and Baptist because they listen to the coolest music. We were all listening to Ray Charles and what was then called race music.
Artists are taught to be humble about their impact, especially in folk music. It's so ingrained that I have a hard time even thinking I had any impact other than what a normal hit song would have.
It's what I do well - I write about things that make people uncomfortable. That's probably the only thing I do better than my peers.
I see interracial couples all the time in Nashville. I'm a Jew in Nashville. I'm a gay person in Nashville. It's a non-issue in most of the time. That's a huge leap forward.
'Society's Child' was a real hard record to start with. That's all you want is for you to put your first record out and have people screaming at you in the streets. But it taught me right away that what I was doing was valuable and important.
It seems to be part of the human condition to need someone you can look down on. I still don't get that one.
Making a record? You've got to have the song, then you create a record. I think it's the same with a live performance. If the material is strong, you're already 90% there. I always tell young people it's all about the music, the songs. Work on the songs, work on the songs, work on the songs.
When I sang my father's songs in concert, that was all people wanted to hear. I was always asking myself, 'Can I measure up?'
I see a young man playing 'Plaisir d'Amour' on guitar. I knew I didn't want to go to college; I was already playing a ukulele, and after I saw that, I was hooked. All I wanted to do was play guitar and sing.
I have sung for Americans of every political persuasion, and I am proud that I never refuse to sing to an audience, no matter what religion or color of their skin, or situation in life.
If you want to play something that you hear, you need to listen with your mind's eye. You've heard of the mind's eye, right? Your mind has an ear too. It's a kind of listening, but it's not using your ears to listen. It's listening with your inner ear, and that's what you want to translate onto the guitar.
I've never missed a gig yet. Music makes people happy, and that's why I go on doing it - I like to see everybody smile.
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