I gave him my heart, and he took and pinched it to death; and flung it back to me. People feel with their hearts, Ellen, and since he has destroyed mine, I have not power to feel for him.
Emily BronteRead
Vain are the thousand creeds That move men's hearts, unutterably vain; Worthless as withered weeds, Or idlest froth amid the boundless main.
Interpretation
The quote expresses the futility of empty beliefs and ideologies that fail to inspire genuine feelings.
Emily Bronte's quote reflects on the superficiality of many belief systems and creeds that humans cling to. She argues that these beliefs, which can stir emotions, are ultimately as useless as dead weeds or mere froth on a vast ocean, highlighting the need for deeper, more meaningful convictions in life.
In practice
During a philosophical debate about existentialism, one might refer to this quote to emphasize the importance of meaningful beliefs.
I gave him my heart, and he took and pinched it to death; and flung it back to me. People feel with their hearts, Ellen, and since he has destroyed mine, I have not power to feel for him.
I ran to the children's room: their door was ajar, I saw they had never laid down, though it was past midnight; but they were calmer, and did not need me to console them. The little souls were comforting each other with better thoughts than I could have hit on: no parson in the world ever pictured heaven so beautifully as they did, in their innocent talk; and, while I sobbed, and listened. I could not help wishing we were all there safe together.
Whatever our souls are made of, his and mine are the same.
He had been content with daily labour and rough animal enjoyments, 'till Catherine crossed his path. Shame at her scorn, and hope of her approval, were his first prompts to higher pursuits; and, instead of guarding him from one and winning him to the other, his endeavors to raise himself had produced just the contrary result.
And, even yet, I dare not let it languish, Dare not indulge in memory's rapturous pain; Once drinking deep of that divinest anguish, How could I seek the empty world again?
I've no more business to marry Edgar Linton than I have to be in heaven and if the wicked man in there had not brought Heathcliff so low I shouldn't have thought of it. It would degrade me to marry Heathcliff now so he shall never know how I love him and that not because he's handsome Nelly but because he's more myself than I am. Whatever our souls are made of his and mine are the same and Linton's is as different as a moonbeam from lightning or frost from fire.
The land is so much more than its analysis.
I'm interested in non-fiction, but a form of it which is very badly behaved, which doesn't define itself as straight-ahead journalism or memoir. It blurs boundaries, plays fast and loose with the truth - not to be silly, whimsical or lazy, but to get greater purchase on what it feels like to be alive.
There can't be a pure myth, especially when the myth has been handed down in the oral tradition. As the stories are told, they change. If the stories don't change they just die.
In mystical traditions, it is one's own readiness that makes experiences exoteric or esoteric. The secret isn't that you're not being told. The secret is that you're not able to hear.
Say there's a white kid who lives in a nice home, goes to an all-white school, and is pretty much having everything handed to him on a platter - for him to pick up a rap tape is incredible to me, because what that's saying is that he's living a fantasy life of rebellion.
One is always more vexed at losing a game of any sort by a single hole or ace, than if one has never had a chance of winning it.
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