When two people loved each other they worked together always, two against the world, a little company. Joy was shared; trouble was split. You had an ally.
It is only when you open your veins and bleed onto the page a little that you establish contact with your reader. If you do not believe in the characters or the story you are doing at that moment with all your mind, strength, and will, if you don't feel joy and excitement while writing it, then you're wasting good white paper, even if it sells, because there are other ways in which a writer can bring in the rent money besides writing bad or phony stories.
Interpretation
What this quote means
Authentic writing requires personal investment and emotional connection to resonate with readers.
In this quote, Paul Gallico emphasizes the importance of genuine emotional engagement in the writing process. He argues that to truly connect with readers, a writer must infuse their work with personal experiences and feelings, rather than merely focusing on commercial success or producing superficial stories. This passion not only enriches the narrative but also elevates the art of writing, suggesting that authenticity and heartfelt storytelling are essential to capturing an audience's attention.
Themes
In practice
Example use cases
This quote can be used in a motivational speech about the importance of passion in creative work.
More from Paul Gallico
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I just like the continue doing what I've been doing. A melange of funny, straight drama, television, movies, a little theater here and there wouldn't hurt. So if I can keep doing that, I'll be a very happy person.
My imagination is a kind of animal. So what I do is keep it alive.
If you give an answer to your viewer, your film will simply finish in the movie theatre. But when you pose questions, your film actually begins after people watch it. In fact, your film will continue inside the viewer.
All of a sudden there's a song - there in your hotel room playing your guitar - and you write it, and two or three years later it will come true. It keeps you on your toes.
I wonder anybody does anything at Oxford but dream and remember, the place is so beautiful. One almost expects the people to sing instead of speaking. It is all like an opera.
There's this inherent screenplay structure that everyone seems to be stuck on, this three-act thing. It doesn't really interest me. To me, it's kind of like saying, 'Well, when you do a painting, you always need to have sky here, the person here and the ground here.' Well, you don't.