As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
William ShakespeareRead
Vile worm, thou wast o'erlook'd even in thy birth.
Interpretation
This quote reflects a disdain for someone perceived as worthless or insignificant from the outset.
In this quote, Shakespeare expresses a strong contempt for an individual, suggesting that their very existence was a mistake, as they were considered insignificant even at the moment of their birth. This evokes themes of societal hierarchies and the worth assigned to individuals based on perceptions of value and importance.
In practice
In a discussion about character development in literature, one might use this quote to illustrate a character's feelings of worthlessness.
As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
Love bears it out even to the edge of doom.
Good company, good wine, good welcome, can make good people.
Absence doth sharpen love, presence strengthens it; the one brings fuel, the other blows it till it burns clear.
Lord, Lord, how this world is given to lying!
Give it an understanding, but no tongue.
You are so accustomed to think of yourselves as bodies having consciousness that you just cannot imagine consciousness as having bodies. Once you realize that bodily existence is but a state of mind, a movement in consciousness, that the ocean of consciousness is infinite and eternal, and that, when in touch with consciousness, you are the witness only, you will be able to withdraw beyond consciousness altogether.
There is nothing more dangerous than to build a society with a large segment of people in that society who feel that they have no stake in it; who feel that that have nothing to lose. People who have stake in their society, protect that society, but when they don't have it, they unconsciously want to destroy it.
I know ours is a world made by men for men, their dictatorship is so ancient it even extends to language.
The best stories don't come from "good vs. bad" but "good vs. good.
The transition from cause to effect, from event to event, is often carried on by secret steps, which our foresight cannot divine, and our sagacity is unable to trace.
We ask only to be reassured About the noises in the cellar And the window that should not have been open
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