Television knows no night. It is perpetual day. TV embodies our fear of the dark, of night, of the other side of things.
Jean BaudrillardRead
The war was won on both sides: by the Vietnamese on the ground, by the Americans in the electronic mental space. And if the one side won an ideological and political victory, the other made Apocalypse Now and that has gone right around the world.
Interpretation
This quote reflects on the dual nature of victory in war, emphasizing both physical and psychological realms.
Jean Baudrillard points out that in the Vietnam War, victory was perceived differently by both sides; the Vietnamese achieved physical triumph in battle, while the Americans won the ideological war through media and narrative, exemplified by the impact of the film 'Apocalypse Now.' This highlights how the consequences and interpretations of conflict can transcend mere military outcomes, affecting culture and perception globally.
In practice
In a discussion about the Vietnam War, this quote can emphasize the different kinds of victories that can arise from conflict.
Television knows no night. It is perpetual day. TV embodies our fear of the dark, of night, of the other side of things.
This false distance is present everywhere: in spy films, in Godard, in modern advertising, which uses it continually as a cultural allusion. It is not really clear in the end whether this 'cool' smile is the smile of humour or that of commercial complicity. This is also the case with pop, and its smile ultimately encapsulates all its ambiguity: it is not the smile of critical distance, but the smile of collusion
There is nothing funny about Halloween. This sarcastic festival reflects, rather, an infernal demand for revenge by children on the adult world.
the neighborhood is nothing but a protective zone- remodeling, disinfection, a snobbish and hygenic design- but above all in a figurative sense: it is a machine for making emptiness.
Laughter on American television has taken the place of the chorus in Greek tragedy. In other countries, the business of laughing is left to the viewers. Here, their laughter is put on the screen, integrated into the show. It is the screen that is laughing and having a good time. You are simply left alone with your consternation.
The very definition of the real becomes: that of which it is possible to give an equivalent reproduction. The real is not only what can be reproduced, but that which is always already reproduced. The hyper real.
To look into the eyes of a wolf is to see your own soul - hope you like what you see.
God has reserved to Himself the right to determine the end of life, because He alone knows the goal to which it is His will to lead it. It is for Him alone to justify a life or to cast it away.
By Jove the stranger and the poor are sent, and what to those we give, to Jove is lent.
Some of us still get all weepy when we think about the Gaia Hypothesis, the idea that earth is a big furry goddess-creature who resembles everybody's mom in that she knows what's best for us. But if you look at the historical record - Krakatoa, Mt. Vesuvius, Hurricane Charley, poison ivy, and so forth down the ages - you have to ask yourself: Whose side is she on, anyway?
Why is a raven like a writing desk? - Mad Hatter I haven't the slightest idea. - Alice
The desire to live in our imagination is driven by this suspicion that we're disembodied sensibilities cobbled into our bodies. That idea has infused most of human thought since the very beginning.
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