As for me, I am a watercolor. I wash off.
Interpretation
The speaker views themselves as changeable and ephemeral, just like watercolor paint.
In this quote, Anne Sexton uses the metaphor of watercolor to express the idea that she is fluid and not fixed, suggesting that her identity and emotions can shift and wash away easily. This highlights the transient nature of personal experiences and the importance of embracing change and vulnerability in life.
In practice
Use this quote during a discussion about art and its ability to express emotions.
The Witch's Life" When I was a child there was an old woman in our neighborhood whom we called The Witch. All day she peered from her second story window from behind the wrinkled curtains and sometimes she would open the window and yell: Get out of my life! She had hair like kelp and a voice like a boulder. I think of her sometimes now and wonder if I am becoming her.
Do you like me?” No answer. Silence bounced, fell off his tongue and sat between us and clogged my throat. It slaughtered my trust. It tore cigarettes out of my mouth. We exchanged blind words, and I did not cry, I did not beg, but blackness filled my ears, blackness lunged in my heart, and something that had been good, a sort of kindly oxygen, turned into a gas oven.
Don't bite till you know if it's bread or stone.
Abundance is scooped from abundance yet abundance remains.
I find now, swallowing one teaspoon of pain, that it drops downward to the past where it mixes with last year’s cupful and downward into a decade’s quart and downward into a lifetime’s ocean. I alternate treading water and deadman’s float.
I am your dwarf. I am the enemy within. I am the boss of your dreams. See. Your hand shakes. It is not palsy or booze. It is your Doppelganger trying to get out. Beware...Beware...
I try to give to my music the spiritual quality, very deep in the soul, which does something even if you are not realizing it or analyzing it - that's the duty of the music.
I make clothes, women make fashion.
You would get some fantastic syntactical phenomena. You would hear people talking in Barbados in the exact melody as a minor character in Shakespeare. Because here you have a thing that was not immured and preserved and mummified, but a voluble language, very active, very swift, very sharp.
The great film editor is not a cutter, he's a storyteller, right?
An artist observes, selects, guesses, and synthesizes.
It's a magical thing, the guitar. It allows you to be the whole band in one, to play rhythm and melody, sing over the top. And as an instrument for solos, you can bend notes, draw emotional content out of tiny movements, vibratos and tonal things which even a piano can't do.
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