I don't feel I've arrived home until I get on the beach. All my life, the theater of the sea has been a very strong thing.
Derek WalcottRead
You would get some fantastic syntactical phenomena. You would hear people talking in Barbados in the exact melody as a minor character in Shakespeare. Because here you have a thing that was not immured and preserved and mummified, but a voluble language, very active, very swift, very sharp.
Interpretation
The quote emphasizes the vibrant and dynamic nature of language as seen in diverse cultures.
Derek Walcott highlights the beauty and liveliness of language, using the example of speech in Barbados to illustrate how language evolves and reflects the rich cultural tapestry through which it flows. He contrasts this with stagnant forms of language that lack the spontaneity and expressiveness found in everyday conversations, suggesting that true linguistic artistry thrives in active and adaptive communication.
In practice
In a speech about cultural diversity, this quote can illustrate the unique qualities of language.
I don't feel I've arrived home until I get on the beach. All my life, the theater of the sea has been a very strong thing.
Creating a poem is a continual process of re-creating your ignorance, in the sense of not knowing what's coming next.
A long time ago, I thought, as a writer in the Caribbean, 'I don't ever want to have to write 'It was great in Paris.'' Because I don't think, proportionately speaking, that one's experience in a city as opposed to, say, a village in St. Lucia, is superior to the other.
My mother was a schoolteacher and very, very encouraging. She understood what it meant when I said I wanted to be a writer; both me and my brother wrote.
When I went to college - when I read Shakespeare or Dickens or Scott - I just felt that, as a citizen of England, a British citizen, this was as much my heritage as any schoolboy's. That is one of the things the Empire taught, that apart from citizenship, the synonymous inheritance of the citizenship was the literature.
The truest writers are those who see language not as a linguistic process but as a living element.
Authorship is not a trade, it is an inspiration; authorship does not keep an office, its habitation is all out under the sky, and everywhere the winds are blowing and the sun is shining and the creatures of God are free.
True art is creation, and creation is beyond all theories. That is why I say to any beginner: Learn your theories as well as you can, but put them aside when you touch the miracle of the living soul. Not theories but your own creative individuality alone must decide.
This profusion of eccentricities, this dream in masonry and living rock is not a drop scene in a theatre, but a city in the world of reality.
New York is a diamond iceberg floating in river water.
Dancers today can do anything; the technique is phenomenal. The passion and the meaning to their movement can be another thing.
The poetry you read has been written for you, each of you - black, white, Hispanic, man, woman, gay, straight.
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