If something comes along that is totally outside of horror, fine, but I find there's an immense amount of freedom within the genre.
Interpretation
Wes Craven expresses the creative freedom he finds within the horror genre.
Wes Craven reflects on the horror genre, suggesting that while there may be opportunities for exploration outside of it, he feels a significant sense of creative liberty within horror itself. This statement emphasizes how constraints can actually lead to greater artistic expression and innovation.
In practice
During a panel discussion at a film festival.
That's what's great about the horror genre is that you're getting a load of people together in the cinema at the same place and the same time, having them all experience extreme fear and come out alive at the end. It's an uplifting experience, and there's a sense of elation.
You don't enter the theater and pay your money to be afraid. You enter the theater and pay your money to have the fears that are already in you when you go into a theater dealt with and put into a narrative.
You have to be aware of what the audience's expectations are, and then you have to pervert them, basically, and hit them upside the head from a direction they weren't looking.
I couldn't find an actor to play Freddy Krueger with the sense of ferocity I was seeking. Everyone was too quiet, too compassionate towards children. Then Robert Englund auditioned.
I was paralyzed from the chest down when I was 19, so I kind of put my head together about dying, and I think I've come to terms with it.
Looking back now, if I went to film school, it probably would have helped knowing what the best of the best of foreign films were, but that wasn't the case. In some ways, I think that led to my originality, because I hadn't seen anybody else.
Rigel, Betelgeuse, and Orion. There was no finer church, no finer choir, than the stars speaking in silence to the many consumptives silently condemned, a legion upon the dark rooftops. The wind came down from the north like a runner in lacrosse, violent and hard, to batter every living thing. They were there, each one alone in conversation with the stars, mining ephemeral love from cold and distant light.
I came to believe the green fuse that drives spring and summer through the world is essentially a literary energy. That the world was more than a place. Life was more than an event. It was all one thing - and that thing was story.
Thank your readers and the critics who praise you, and then ignore them. Write for the most intelligent, wittiest, wisest audience in the universe: Write to please yourself.
It has been the office of art to educate the perception of beauty. We are immersed in beauty but our eyes have no clear vision.
Experience was my only teacher; I knew little of the modern art movement. When I first saw the works of the Impressionists, van Gogh, van Dongen, and Fauves, I admired it. But I had to seek the true way alone.
What I end up shooting is the situation. I shoot the composition and my subject is going to help the composition or not.
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