Looking back now, if I went to film school, it probably would have helped knowing what the best of the best of foreign films were, but that wasn't the case. In some ways, I think that led to my originality, because I hadn't seen anybody else.
Interpretation
The quote expresses that a lack of formal education in film allowed for greater originality in creativity.
Wes Craven reflects on his journey as a filmmaker and suggests that not attending film school and having limited exposure to foreign films might have actually contributed to his unique perspective and originality in his work. He believes that not being influenced by established norms allowed him to carve out his own creative path.
In practice
This quote can inspire young filmmakers at a film festival.
That's what's great about the horror genre is that you're getting a load of people together in the cinema at the same place and the same time, having them all experience extreme fear and come out alive at the end. It's an uplifting experience, and there's a sense of elation.
You don't enter the theater and pay your money to be afraid. You enter the theater and pay your money to have the fears that are already in you when you go into a theater dealt with and put into a narrative.
If something comes along that is totally outside of horror, fine, but I find there's an immense amount of freedom within the genre.
You have to be aware of what the audience's expectations are, and then you have to pervert them, basically, and hit them upside the head from a direction they weren't looking.
I couldn't find an actor to play Freddy Krueger with the sense of ferocity I was seeking. Everyone was too quiet, too compassionate towards children. Then Robert Englund auditioned.
I was paralyzed from the chest down when I was 19, so I kind of put my head together about dying, and I think I've come to terms with it.
Repertory theater is all about being part of the whole, one of the many colors in this vast palette.
So much for endings. Beginnings are always more fun. True connoisseurs, however, are known to favor the stretch in between, since it's the hardest to do anything with. That's about all that can be said for plots, which anyway are just one thing after another, a what and a what and a what.
I love borders. August is the border between summer and autumn; it is the most beautiful month I know. Twilight is the border between day and night, and the shore is the border between sea and land. The border is longing: when both have fallen in love but still haven't said anything. The border is to be on the way. It is the way that is the most important thing.
Why has Scandinavia been producing such good thrillers? Maybe because their filmmakers can't afford millions for CGI and must rely on cheaper elements like, you know, stories and characters.
I give you soul. I give you wisdom and light and music and a bit of laughter. Also, I am the world's greatest horseplayer.
The thing about writing is that if you have the impulse, you will find the time.
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