I stare out the window and reflect on the similarity between writing and saving a life and the inevitable failure of one's imagination and one's goals and ambitions to create a character or a life worth saving.
Miriam ToewsRead
I had a thought, on the way home from the rock field, that the things we don't know about a person are the things that make them human, and it made me feel sad to think that, but sad in that reassuring way that some sadness has, a sadness that says welcome home in twelve different languages.
Interpretation
The unknown aspects of a person's identity contribute to their humanity, evoking a comforting sadness.
Miriam Toews reflects on the complexity of human nature, suggesting that it is the unshared experiences and secrets of individuals that enrich their humanity. This realization brings a bittersweet feeling, as it highlights the depth of connection possible through understanding the unseen parts of others, ultimately offering a sense of belonging and acceptance.
In practice
In a heartfelt speech at a community gathering.
I stare out the window and reflect on the similarity between writing and saving a life and the inevitable failure of one's imagination and one's goals and ambitions to create a character or a life worth saving.
My father died beside trees on iron rails... He had 77 dollars on him at the time, and we used the money for Thai takeout because, as my friend Julie says about times like this, 'You still have to eat.'
When a person becomes a legend, the very thing that makes them human and knowable is killed off, so it's like being killed over and over and over again, for all eternity.
There are people who are just suicidal, regardless. They are built to self-destruct. It seems, in my family, like a virus that's resistant to any kind of help or care or medication.
A writer is always, always searching, even against her will, against all her better instincts, for the thread of a story. Everything is fodder. Everything is fuel. You can feel it coming on like the tingling of a sore throat. The brain never stops struggling to reshape every experience and feeling into a coherent narrative.
Writing helps me to create order out of chaos and make sense of things. It helps me to understand what I've experienced, what I've felt and seen, so it becomes a little easier to handle. On the other hand, I don't want it to be just a cathartic experience, an outpouring of grief or whatever it is.
Perhaps the Wilderness we fear is the pause between our own heartbeats, the silence that reminds us we live by grace.
Filling the conscious mind with ideal conceptions is a characteristic of Western theosophy, but not the confrontation with the Shadow and the world of darkness. One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular.
The strongest continuous thread in America's political tradition is skepticism about government.
It's the mix of the trivial and the great events that make up history. It's the low things about high people that make it fascinating, and that's why it would be a shame to exclude the trivial things. That mixing up is not just at the heart of history. It's at the heart of how to live a great life.
No earthly pleasures, no kingdoms of this world can benefit me in any way. I prefer death in Christ Jesus to power over the farthest limits of the earth. He who died in place of us is the one object of my quest. He who rose for our sakes is my one desire. Do not talk about Jesus Christ as long as you love this world.
If it’s going to be a world with no time for sentiment, it’s not a world that I want to live in.
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