My father died beside trees on iron rails... He had 77 dollars on him at the time, and we used the money for Thai takeout because, as my friend Julie says about times like this, 'You still have to eat.'
I stare out the window and reflect on the similarity between writing and saving a life and the inevitable failure of one's imagination and one's goals and ambitions to create a character or a life worth saving.
Interpretation
What this quote means
This quote explores the parallels between writing and the profound act of saving a life, emphasizing the struggle of imagination against the desire to create something meaningful.
Miriam Toews reflects on the creative process of writing, likening it to the heroic act of saving a life. She highlights the challenges that writers face in crafting characters and narratives that resonate deeply, suggesting that both pursuits involve a keen understanding of complexity and a recognition of the limitations of one's imagination and ambitions. This introspection reveals the vulnerability inherent in artistic expression and the desire for one's creations to matter.
Themes
In practice
Example use cases
In a creative writing workshop to inspire students.
More from Miriam Toews
All quotes →When a person becomes a legend, the very thing that makes them human and knowable is killed off, so it's like being killed over and over and over again, for all eternity.
There are people who are just suicidal, regardless. They are built to self-destruct. It seems, in my family, like a virus that's resistant to any kind of help or care or medication.
A writer is always, always searching, even against her will, against all her better instincts, for the thread of a story. Everything is fodder. Everything is fuel. You can feel it coming on like the tingling of a sore throat. The brain never stops struggling to reshape every experience and feeling into a coherent narrative.
Writing helps me to create order out of chaos and make sense of things. It helps me to understand what I've experienced, what I've felt and seen, so it becomes a little easier to handle. On the other hand, I don't want it to be just a cathartic experience, an outpouring of grief or whatever it is.
I had a thought, on the way home from the rock field, that the things we don't know about a person are the things that make them human, and it made me feel sad to think that, but sad in that reassuring way that some sadness has, a sadness that says welcome home in twelve different languages.
Similar quotes
I didn't want to make cinema so a person forgets himself and has a lot of fun. 'I forget myself, I am a little poor consumer.' I wanted to make a picture where someone who sees it say, 'This is me! This is me!'
I've always wanted to create drama in my pictures, which is why I paint people. It's people who have brought drama to pictures from the beginning. The simplest human gestures tell stories.
Films to the degree that they glorify mindlessness and short attention span they are bad, to the degree that they encourage empathy with people not like ourselves and encourage us to think about life, they are good.
For a lot of people, well-meaning teaching has made poetry seem arcane, difficult, a kind of brown-knotting medicine that might be good for you but doesn't taste so good. So I tried to make a collection of poetry that would be fun. And that would bring out poetry as an art, rather than the challenge to say smart things.
People are meant to be certain places, and I think I'm meant to be on a sound stage doing situation comedy.
I think an artist, in my definition of that word, would not be someone who takes sides with the emperor against his powerless subjects. That's different from prescribing a way in which a writer should write.