I can't read novels while I'm writing a novel, because somebody's voice creeps in.
T. C. BoyleRead
I think the way to be a writer is to experience things, certainly, and be open to things, but at some point to become dedicated to the craft of writing and to create a stable environment for that writing to occur in.
Interpretation
What this quote means
To become a writer, one must experience and be open to new things while dedicating oneself to the craft in a conducive environment.
In this quote, T. C. Boyle emphasizes the importance of both experience and dedication in the journey of a writer. While drawing inspiration from various life experiences is crucial, it is equally important to commit oneself to the practice of writing and to establish a stable environment that fosters creativity and productivity.
Themes
WritingCreativityDedicationExperienceCraft
In practice
Example use cases
In a workshop about writing, to inspire attendees, one could say: 'As T. C. Boyle suggests, experiencing life is vital for a writer.'
More from T. C. Boyle
All quotes →This is the beauty of fiction. We may not like these characters, but we inhabit them.
T. C. BoyleRead
I don't care if the audience is 600 Saul Bellows; I'm going to knock them dead with a comedy routine. I'm out there as a missionary for literature because, if people laugh and enjoy themselves, they might actually do something as bizarre as reading the book.
T. C. BoyleRead
It's true that none of my characters are admirable. But maybe I'm primarily a satirist, and a satirist needs to hold up what's not admirable.
T. C. BoyleRead
Sometimes if something is entertaining and amusing, people tend to think that it doesn't have the depth of something that's dramatic. I don't think that's true.
T. C. BoyleRead
I hope to stay light on my feet, to work in many modes, to seek inspiration always, and avoid the fatal. But, as we all know, it is the price of life to burn out, both metaphorically and literally.
T. C. BoyleRead
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There must be a story within him/her that wants to come out. That's the reason why 'Dil Chahta Hai,' 'Lagaan,' and 'Rang De Basanti' worked so well: Ashutosh, Farhan, and Rakesh had a story inside them. It's very important that the director should have the fire in the belly to tell the story.
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They seemed to forget that the increase of known truths stimulates the investigation, establishment and growth of the arts; not their dimination or destruction.
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