A story is not like a road to follow... it's more like a house. You go inside and stay there for a while, wandering back and forth and settling where you like and discovering how the room and corridors relate to each other, how the world outside it altered by being viewed from these windows.
Interpretation
A story invites exploration and personal interpretation rather than following a straight path.
Alice Munro's quote illustrates the immersive and complex nature of storytelling, likening it to a house where readers can explore various rooms and connections, rather than a linear journey. This metaphor emphasizes the depth and richness of narratives, suggesting that each story offers unique experiences and insights based on individual perspectives.
In practice
In a book club, discussing this quote can deepen the conversation about how different readers interpret the same story.
Sometimes our connection is frayed, it is in danger, it seems almost lost. Views and streets deny knowledge of us, the air grows thin. Wouldn't we rather have a destiny to submit to, than, something that claims us, anything, instead of such flimsy choices, arbitrary days?
I was amazed as people must be who are seized and kidnapped, and who realize that in the strange world of their captors they have a value absolutely unconnected with anything they know about themselves.
Anecdotes don't make good stories. Generally I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
I just believed it easily, the way you might believe and in fact remember that you once had another set of teeth, now vanished but real in spite of that. Until one day, one day when I may even have been in my teens, I knew with a dim sort of hole in my insides that now I didn't believe it anymore.
You want in all cases for the story to get through the writing.
It's certainly true that when I was young, writing seemed to me so important that I would have sacrificed almost anything to it ... Because I thought of the world in which I wrote -- the world I created -- as somehow much more enormously alive than the world I was actually living in.
Stories aren't the icing on the cake; they are the cake!
What I dream of is an art of balance.
When I finish a film, I want to forget it. I never like to repeat myself. Maybe, when I am dead, they will find certain consistencies in the style of my films, but I never want one film to look like another.
I've been searching for a genre that would be most adequate to my vision of the world to convey how my ear hears and my eyes see life. I tried this and that, and finally, I chose a genre where human voices speak for themselves. But I don't just record a dry history of events and facts; I'm writing a history of human feelings.
Photographs are a way of imprisoning reality, understood as recalcitrant, inaccessible; of making it stand still. One can't possess reality, one can possess (and be possessed by) images — as, according to Proust, most ambitious of voluntary prisoners, one can't possess the present but one can possessthe past.
I think of myself as a serious professor who, during the weekend, writes novels.
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