It's certainly true that when I was young, writing seemed to me so important that I would have sacrificed almost anything to it ... Because I thought of the world in which I wrote -- the world I created -- as somehow much more enormously alive than the world I was actually living in.
Interpretation
The quote reflects the intense passion for writing and the belief in the vividness of the fictional world compared to reality.
Alice Munro expresses her deep commitment to writing during her youth, indicating that she valued her creative world to such an extent that she would be willing to give up significant aspects of her life for it. This passion illustrates the powerful connection between a writer's imagination and their perception of reality, suggesting that the act of creation can lead to a more vibrant existence than the everyday world.
In practice
This quote can be used in a speech at a writers' conference to inspire young authors about the significance of their craft.
Sometimes our connection is frayed, it is in danger, it seems almost lost. Views and streets deny knowledge of us, the air grows thin. Wouldn't we rather have a destiny to submit to, than, something that claims us, anything, instead of such flimsy choices, arbitrary days?
I was amazed as people must be who are seized and kidnapped, and who realize that in the strange world of their captors they have a value absolutely unconnected with anything they know about themselves.
Anecdotes don't make good stories. Generally I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
I just believed it easily, the way you might believe and in fact remember that you once had another set of teeth, now vanished but real in spite of that. Until one day, one day when I may even have been in my teens, I knew with a dim sort of hole in my insides that now I didn't believe it anymore.
You want in all cases for the story to get through the writing.
A story is not like a road to follow... it's more like a house. You go inside and stay there for a while, wandering back and forth and settling where you like and discovering how the room and corridors relate to each other, how the world outside it altered by being viewed from these windows.
Conception, my boy, fundamental brain work, is what makes all the difference in art.
The first line is the DNA of the poem; the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.
Music may be the activity that prepared our pre-human ancestors for speech communication and for the very cognitive, representational flexibility necessary to become humans.
I don't design. I get what I think is a big idea, and I put the idea down. I'm not a designer. I'm a communicator.
Chekhov directors and Chekhov actors love working on his plays because there seems to be no end to what you can find out about the micro-narrative when you're investigating a text.
Writing a poem is like having an affair, a one-night stand; a short story is a romance, a relationship; a novel is a marriage-one has to be cunning, devise compromises, and make sacrifices.
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