The role of an orchestra in the 21st century isn't just playing, it's about developing future audiences and performers.
Leonard SlatkinRead
In some ways I believe music is the more convincing communicator of ideas than words. For instance, we can hear of Kordaly and Bartok and recognise them as Hungarian, but very few of us speak Hungarian, but the music itself speaks to more people.
Interpretation
Music can convey messages more effectively than words, reaching a broader audience.
In this quote, Leonard Slatkin emphasizes the power of music as a universal language that transcends barriers like language and culture. He points out that while many might know the names of Hungarian composers like Kordaly and Bartok, few actually speak Hungarian, highlighting that music itself has the ability to communicate emotions and ideas to people all over the world, regardless of their linguistic background.
In practice
In a presentation about cultural diversity, this quote could illustrate how music connects people from different backgrounds.
The role of an orchestra in the 21st century isn't just playing, it's about developing future audiences and performers.
An orchestra knows during the first two minutes of the first rehearsal whether or not they are going to enjoy the person on the podium.
There's not an orchestra in the world that doesn't have weaknesses. None of us can play everything well. The repertoire is just too big.
[Lee Morgan] was the only young cat that scared me when he played. He had so much fire and natural feeling. I had more technique, but he had that feeling. People seemed to like him more than they like me at the beginning.
When I write, I make my memories tangible, and in this way I can get rid of them.
Can you appreciate music without playing it? Yes, you can. You can appreciate baseball without playing it. Many people attend a football game merely for the crowd, the excitement, the color.
The landscape thinks itself in me and I am its consciousness.
I'm lucky enough to be able to make only movies I'm interested in seeing. That has to be an instinctive thrust. The audience knows when you're faking it. They can hang any kind of moniker they want on me.
If you have a story that seems worth telling, and you think you can tell it worthily, then the thing for you to do is to tell it, regardless of whether it has to do with sex, sailors or mounted policemen.
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