The wars don't end when you sign peace treaties or when the years go by. They will echo on until I'm gone and all the widows and orphans are gone.
Tim O'BrienRead
Above all, a well-imagined story is organized around extraordinary human behaviors and unexpected and startling events, which help illuminate the commonplace and the ordinary.
Interpretation
A compelling story reveals extraordinary human actions and surprising events that shed light on everyday life.
Tim O'Brien's quote emphasizes the power of storytelling in highlighting exceptional human behaviors and unforeseen occurrences that can transform our understanding of the ordinary aspects of life. By organizing a narrative around these elements, a well-crafted story not only captivates its audience but also encourages them to reflect on their own experiences and the significance of the mundane.
In practice
During a writing workshop, I shared this quote to discuss the importance of compelling narratives.
The wars don't end when you sign peace treaties or when the years go by. They will echo on until I'm gone and all the widows and orphans are gone.
...you find yourself studying the fine colors on the river, you feel wonder and awe at the setting of the sun, and you are filled with a hard, aching love for how the world could be and always should be, but now is not.
Unlike Chicago or New York, small-town Minnesota did not allow a man's failings to disappear beneath a veil of numbers. People talked. Secrets did not stay secret.
Place is so important to me. The Midwest is like a ghost in my life. It's present as I look out the window now. I see Texas, but if I close my eyes and look out the same window, I'm back in my hometown in Worthington, Minnesota, and I cherish those values and that diction.
In fiction workshops, we tend to focus on matters of verisimilitude largely because such issues are so much easier to talk about than the failure of imagination.
War is a fundamental aspect of human existence. It's good to know what war entails and what the human sacrifice is.
I'd rather make a show 100 people need to see, than a show that 1000 people want to see.
I have never followed fashion. What is fashion to me? I just think of things that inspire me, that inspire women, and I design that way.
Luxury is the wolf at the door and its fangs are the vanities and conceits germinated by success. When an artist learns this, he knows where the danger is.
The artist is a collector of things imaginary or real. He accumulates things with the same enthusiasm that a little boy stuffs his pockets. The scrap heap and the museum are embraced with equal curiosity. He takes snapshots, makes notes and records impressions on tablecloths or newspapers, on backs of envelopes or matchbooks. Why one thing and not another is part of the mystery, but he is omnivorous.
The world is a king, and like a king, desires flattery in return for favor; but true art is selfish and perverse β it will not submit to the mold of flattery.
We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images.
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