The wars don't end when you sign peace treaties or when the years go by. They will echo on until I'm gone and all the widows and orphans are gone.
Tim O'BrienRead
Above all, a well-imagined story is organized around extraordinary human behaviors and unexpected and startling events, which help illuminate the commonplace and the ordinary.
Interpretation
A compelling story reveals extraordinary human actions and surprising events that shed light on everyday life.
Tim O'Brien's quote emphasizes the power of storytelling in highlighting exceptional human behaviors and unforeseen occurrences that can transform our understanding of the ordinary aspects of life. By organizing a narrative around these elements, a well-crafted story not only captivates its audience but also encourages them to reflect on their own experiences and the significance of the mundane.
In practice
During a writing workshop, I shared this quote to discuss the importance of compelling narratives.
The wars don't end when you sign peace treaties or when the years go by. They will echo on until I'm gone and all the widows and orphans are gone.
...you find yourself studying the fine colors on the river, you feel wonder and awe at the setting of the sun, and you are filled with a hard, aching love for how the world could be and always should be, but now is not.
Unlike Chicago or New York, small-town Minnesota did not allow a man's failings to disappear beneath a veil of numbers. People talked. Secrets did not stay secret.
Place is so important to me. The Midwest is like a ghost in my life. It's present as I look out the window now. I see Texas, but if I close my eyes and look out the same window, I'm back in my hometown in Worthington, Minnesota, and I cherish those values and that diction.
In fiction workshops, we tend to focus on matters of verisimilitude largely because such issues are so much easier to talk about than the failure of imagination.
War is a fundamental aspect of human existence. It's good to know what war entails and what the human sacrifice is.
The art has to make it on its own, without explanations, and itβs the same for poetry. If the poem or the painting has to be explained, then itβs a failure in communication.
All great art is revolutionary because it touches upon the reality of man and questions the reality of the various transitory forms of human society.
I just wanted a song to sing, and there came a point where I couldn't sing anything...nobo dy else was writing what I wanted to sing. I couldn't find it anywhere. If I could I probably would never have started writing.
I don't torture myself. And I do the work because of the pleasure involved. I'm satisfying a compulsion I find nigh-on irresistible. It's not necessarily because of the work itself. I just feel the need for a period of regeneration afterwards. Like leaving a field fallow when you've grazed too much on it. I feel depleted.
For me, it is freedom, freedom from everything: when I write, I'm not a woman. I'm not a Muslim. I'm not a Moroccan. I can reinvent myself, and I can reinvent the world.
There is no feeling, except the extremes of fear and grief, that does not find relief in music.
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