Authorities in Rabat believe that if we create a Moroccan character, even in a work of fiction, we are responsible for the image of Moroccan women.
Leila SlimaniRead
For me, it is freedom, freedom from everything: when I write, I'm not a woman. I'm not a Muslim. I'm not a Moroccan. I can reinvent myself, and I can reinvent the world.
Interpretation
Writing offers the freedom to transcend personal identity and reshape reality.
In this quote, Leila Slimani expresses how writing serves as an escape from the labels and restrictions imposed by her identity as a woman, a Muslim, and a Moroccan. Through the act of writing, she finds the liberty to redefine herself and her surroundings, showcasing the transformative power of creativity and self-expression.
In practice
In a speech about the importance of creative freedom, this quote can illustrate how art transcends identity.
Authorities in Rabat believe that if we create a Moroccan character, even in a work of fiction, we are responsible for the image of Moroccan women.
I remember that the first time I looked at my son, of course I felt love. But I think the first feeling was not love: it was fear. Someone is needing me. If something happens to him, what am I going to do? Maybe I won't survive if something happens to him? The fear was as big as the love.
One of the big mistakes of the Moroccan elite and the elite in the Muslim world was to be afraid of the conservatives. They are fighting for their ideas. Why shouldn't we fight for our ideas?
I, too, am interested in identity and Islam, which is what people expect of us. But one must not write what is expected. It's important for North African writers to show they have other things to say.
In Morocco, there is an insistence on authority. Children are not encouraged to speak up in front of their parents. My parents were not like this. I was the kind of girl who could tell her father, 'No, what you are saying is totally untrue, and I don't agree with you.'
It's very important to say that French doesn't belong to France and to French people. Now you have very wonderful poets and writers in French who are not French or Algerian - who are from Senegal, from Haiti, from Canada, a lot of parts of the world.
The highest Art of the Chess player lies in not allowing your Opponent to show you what he can do.
Film is the manipulative medium par excellence. When you think back on the history of film and the 20th century, you see the propaganda that's been made. So there are moral demands on the director to treat the spectators as seriously as he or she takes himself and not to see them merely as victims that can be manipulated to whatever ends they have.
I've never written a song in my life. It's all a big hoax.
Poems not only demand patience, they demand a kind of surrender. You must give yourself up to them. This is the real food for a poet: other poems, not meat loaf.
I've attended many concerts where I felt let down and I was wishing it would be something else. Not that it's their duty to please me, but at the same time, I think a lot about what it's like through the eyes of the consumer, the fan. I want not to pander to the audience, but to be aware of them.
Too few journalists become screenwriters. I say to all the would-be screenwriters: Become journalists. And I’ll say to working journalists: Do not stay journalists. Become screenwriters.
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