For me, it is freedom, freedom from everything: when I write, I'm not a woman. I'm not a Muslim. I'm not a Moroccan. I can reinvent myself, and I can reinvent the world.
Leila SlimaniRead
Authorities in Rabat believe that if we create a Moroccan character, even in a work of fiction, we are responsible for the image of Moroccan women.
Interpretation
The depiction of Moroccan women in fiction carries a significant responsibility regarding cultural representation.
Leila Slimani highlights the crucial role that authors and creators play in shaping perceptions of Moroccan women through their fictional works. By emphasizing the necessity of crafting a distinctive Moroccan character, Slimani stresses that these representations can influence societal views and contribute to the broader narrative about the identity and experiences of women in Morocco.
In practice
In a literary discussion about cultural sensitivity, one might quote this to emphasize the impact of portrayal.
For me, it is freedom, freedom from everything: when I write, I'm not a woman. I'm not a Muslim. I'm not a Moroccan. I can reinvent myself, and I can reinvent the world.
I remember that the first time I looked at my son, of course I felt love. But I think the first feeling was not love: it was fear. Someone is needing me. If something happens to him, what am I going to do? Maybe I won't survive if something happens to him? The fear was as big as the love.
One of the big mistakes of the Moroccan elite and the elite in the Muslim world was to be afraid of the conservatives. They are fighting for their ideas. Why shouldn't we fight for our ideas?
I, too, am interested in identity and Islam, which is what people expect of us. But one must not write what is expected. It's important for North African writers to show they have other things to say.
In Morocco, there is an insistence on authority. Children are not encouraged to speak up in front of their parents. My parents were not like this. I was the kind of girl who could tell her father, 'No, what you are saying is totally untrue, and I don't agree with you.'
It's very important to say that French doesn't belong to France and to French people. Now you have very wonderful poets and writers in French who are not French or Algerian - who are from Senegal, from Haiti, from Canada, a lot of parts of the world.
Perceptions are portraits, not photographs, and their form reveals the artistβs hand every bit as much as it reflects the things portrayed
At first the music almost repelled me, it was so intense, and this man made no attempt to sugarcoat what he was trying to say, or play. It was hard-core, more than anything I had ever heard. After a few listenings I realized that, on some level, I had found the master, and that following this man's example would be my life's work.
The spirit of the drum is something that you feel but cannot put your hands on,_x000D_ It does something to you from the inside out . . ._x000D_ It hits people in so many different ways._x000D_ But the feeling is one that is satisfying and joyful._x000D_ It is a feeling that makes you say to yourself, '_x000D_ I'm glad to be alive today! I'm glad to be part of this world!
I believe in the power of poetry, which gives me reasons to look ahead and identify a glint of light.
Acting... was the biggest charge I ever had. What other artist has it so good? Approval so quick?
The Mediterranean has the color of mackerel, changeable I mean. You don't always know if it is green or violet, you can't even say it's blue, because the next moment the changing reflection has taken on a tint of rose or gray.
Subscribe for the occasional hand-picked quote. No noise.