In my view, the novelist has no right to express his opinions on the things of this world. In creating, he must imitate God: do his job and then shut up.
Gustave FlaubertRead
Whatever the thing you wish to say, there is but one word to express it, but one verb to give it movement, but one adjective to qualify it; you must seek until you find this noun, this verb, this adjective.
Interpretation
The quote emphasizes the importance of precision in language and the careful selection of words to convey thoughts effectively.
Gustave Flaubert's quote speaks to the essence of articulation in writing and expression. It suggests that every idea can be captured succinctly with the right choice of noun, verb, and adjective, highlighting the necessity for depth in understanding and crafting language. In a broader sense, it reflects the artistic endeavor of seeking clarity and truth in communication.
In practice
This quote can be used during a writing workshop to emphasize the importance of word choice.
In my view, the novelist has no right to express his opinions on the things of this world. In creating, he must imitate God: do his job and then shut up.
She loved the sea for its storms alone, cared for vegetation only when it grew here and there among ruins. She had to extract a kind of personal advantage from things and she rejected as useless everything that promised no immediate gratification — for her temperament was more sentimental than artistic, and what she was looking for was emotions, not scenery.
In the dark room a cloud of yellow dust flew from beneath the tool like a scatter of sparks from under the hooves of a galloping horse. The twin wheels turned and hummed. Binet was smiling, his chin down, his nostrils distended. He seemed lost in the kind of happiness which, as a rule, accompanies only those mediocre occupations that tickle the intelligence with easy difficulties, and satisfy it with a sense of achievement beyond which there is nothing left for dreams to feed on.
It is a delicious thing to write, to be no longer yourself but to move in an entire universe of your own creating. Today, for instance, as man and woman, both lover and mistress, I rode in a forest on an autumn afternoon under the yellow leaves, and I was also the horses, the leaves, the wind, the words my people uttered, even the red sun that made them almost close their love-drowned eyes.
Stupidity is something unshakable; nothing attacks it without breaking itself against it; it is of the nature of granite, hard and resistant.
I'm absolutely removed from the world at such times...The hours go by without my knowing it. Sitting there I'm wandering in countries I can see every detail of - I'm playing a role in the story I'm reading. I actually feel I'm the characters - I live and breath with them.
The light constantly changes, and that alters the atmosphere and beauty of things every minute.
Poets are never allowed to be mediocre by the gods, by men or by publishers.
You see something, then it clicks with something else, and it will make a story. But you never know when it's going to happen.
Interesting thing, these fellows never seem to get the idea of perspective-' The Bursar thought, or received the thought: that's because perspective is a lie. If I know a pond is round then why should I draw it oval? I will draw it round because round is true. Why should my brush lie to you just because my eye lies to me?
All works, no matter what or by whom painted, are nothing but bagatelles and childish trifles... unless they are made and painted from life, and there can be nothing... better than to follow nature.
I never allowed myself the luxury of those brilliant, beautiful colors until I went to India and saw people walking around in them or dragging them in the mud. I realised they were not so artificial.
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