If you want to be a good blues singer, people are going to be down on you, so dress like you're going to the bank to borrow money.
Whenever I'm in Kansas City, I think back to all the jazz-blues greats who played the blues here - like Count Basie, Charlie Parker and Jay McShann. I watched those guys jam in different places and heard a lot of things - but I couldn't do what they did. They were too good.
Interpretation
What this quote means
B. B. King reflects on the incredible talent of jazz-blues musicians from Kansas City, acknowledging their greatness and his admiration for them.
In this quote, B. B. King expresses his fond memories of Kansas City, a significant place in the history of jazz and blues music. He reminisces about the legendary artists such as Count Basie and Charlie Parker who shaped the genre with their remarkable skills. King recognizes not only their talent but also his own limitations in comparison, showcasing a humble appreciation for those who have come before him in the musical landscape.
Themes
In practice
Example use cases
Using this quote in a speech about the importance of acknowledging those who inspired us in our respective fields.
More from B. B. King
All quotes →The way I feel today, as long as my health is good and I can handle myself well and people still come to my concerts, still buy my CDs, I'll keep playing until I feel like I can't.
Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
A guitar is like an old friend that is there with me.
I have not been a good father, but no father has loved his children more. Like my father, I decided the best thing I could do for my kids was work and provide. Fortunately, I've been able to do that. Unfortunately, my work was on the road, and that's meant a life of one-nighters.
People all over the world have problems. And as long as people have problems, the blues can never die.
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I was signed to a record label at the same time as my friend Elliot Murphy, who makes great records to this day.
At night in the country, you'd be surprised how that music carries. You could hear my guitar way before you get to the house, and you could hear the peoples hollerin' and screamin'.
Technically, I'm not a guitar player, all I play is truth and emotion.
When you're a Chicago artist, to play Lollapalooza, that's not a normal thing. It's artists on a path to a certain place that do that. Chief Keef did it; Kids These Days did it; Cool Kids did it. And I'm the next Cool-Kids-Chief, if you will.
I always say that the problem with jazz accessibility is not the content of the music, it's people's ability to access it.
In hindsight, I think my manager and I both knew that 'Someone You Loved' was a special song that we had to put out. But no one was expecting it to do so well.