Since the model he so faithfully copies is not going to be hung up next to the picture... it is of no interest whether it is an accurate copy of the model.
Lucian FreudRead
Whether it will convince or not, depends entirely on what it is in itself, what is there to be seen.
Interpretation
The effectiveness of an artwork depends on its intrinsic qualities and what it conveys to the viewer.
This quote by Lucian Freud emphasizes that the power of art lies in its inherent characteristics and the ability to evoke a response from the observer. The viewer's interpretation and connection to the artwork are influenced by its composition, subject matter, and emotional resonance, highlighting the subjective nature of art appreciation.
In practice
An art critic discussing a new exhibition might quote this to emphasize the importance of the artworks' inherent qualities.
Since the model he so faithfully copies is not going to be hung up next to the picture... it is of no interest whether it is an accurate copy of the model.
When I look at a body it gives me choice of what to put in a painting, what will suit me and what won't. There is a distinction between fact and truth. Truth has an element of revelation about it. If something is true, it does more than strike one as merely being so.
It is the only point of getting up every morning: to paint, to make something good, to make something even better than before, not to give up, to compete, to be ambitious.
The character of the artist doesn't enter into the nature of the art
I paint people, not because of what they are like, not exactly in spite of what they are like, but how they happen to be.
I could never put anything into a picture that wasn't actually there in front of me. That would be a pointless lie, a mere bit of artfulness.
A writer's job is to give the reader a larger vision of the world.
In art as in lovemaking, heartfelt ineptitude has its appeal and so does heartless skill, but what you want is passionate virtuosity.
I try to make clothes the way Lou Reed does music, with minimal chord changes. It's about giving everything I make a worn, softened feel. It's about an elegance being tinged with the barbaric, the luxury of not caring.
For me, music is always the language which permits one to converse with the Beyond.
I talk about life, and I make universal music with an American style - and that's what I do.
When I work on sculpture, I don't have to worry about function. When I work on a piece of architecture, I must think about function all the time.
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