Since the model he so faithfully copies is not going to be hung up next to the picture... it is of no interest whether it is an accurate copy of the model.
Lucian FreudRead
Whether it will convince or not, depends entirely on what it is in itself, what is there to be seen.
Interpretation
The effectiveness of an artwork depends on its intrinsic qualities and what it conveys to the viewer.
This quote by Lucian Freud emphasizes that the power of art lies in its inherent characteristics and the ability to evoke a response from the observer. The viewer's interpretation and connection to the artwork are influenced by its composition, subject matter, and emotional resonance, highlighting the subjective nature of art appreciation.
In practice
An art critic discussing a new exhibition might quote this to emphasize the importance of the artworks' inherent qualities.
Since the model he so faithfully copies is not going to be hung up next to the picture... it is of no interest whether it is an accurate copy of the model.
When I look at a body it gives me choice of what to put in a painting, what will suit me and what won't. There is a distinction between fact and truth. Truth has an element of revelation about it. If something is true, it does more than strike one as merely being so.
It is the only point of getting up every morning: to paint, to make something good, to make something even better than before, not to give up, to compete, to be ambitious.
The character of the artist doesn't enter into the nature of the art
I paint people, not because of what they are like, not exactly in spite of what they are like, but how they happen to be.
I could never put anything into a picture that wasn't actually there in front of me. That would be a pointless lie, a mere bit of artfulness.
Itβs about time a 55-year-old British woman is the heroine of an action movie. I may have to write it.
I get unhappy doing things that I'm not passionate about. Because I feel like I'm squandering this incredible gift I've been given to finance films. As soon as my name alone was enough to make this happen, I vowed to myself that I was going to work with directors who were changing cinema, doing something important, you know?
I spend my days kneeling in the muck of language, feeling around for gooey verbs, nouns, and modifiers that I can squash together to make a blob of a sentence that bears some likeness to reason and sense.
Music has to keep moving. But I was lucky. For me there was always something around the corner.
I'm not interested in seeing dance die. It's not to my advantage. Nor is it to our culture's advantage or anybody else's.
When you do one more 'Cinderella' or whatever, what is there to learn? Every part in the repertoire has a good side and a bad side, and the more often you do the same ballet, the more often the bad side comes out. If you want to give dance life, you must give it fresh food, not keep going back to the garbage to look for old scraps.
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