Sometimes I sound like gravel, and sometimes I sound like coffee and cream.
Nina SimoneRead
To most white people, jazz means black and jazz means dirt, and that's not what I play. I play black classical music.
Interpretation
Nina Simone emphasizes that jazz is often misrepresented and underappreciated, as it is deeply rooted in African American culture and artistry.
In this quote, Nina Simone reflects on how the genre of jazz is often stereotyped by predominantly white audiences who associate it with negativity or 'dirt.' She asserts her identity as a performer who plays 'black classical music,' highlighting the sophistication and richness of jazz, which deserves recognition for its cultural significance and artistry beyond the superficial judgments often imposed by society.
In practice
In a discussion about the evolution of jazz in a music history class.
Sometimes I sound like gravel, and sometimes I sound like coffee and cream.
Jazz is a white term to define black people. My music is black classical music.
I only knew classical music, which to me was the only true music. The only way I could survive at the bar was to mix the classical music with popular songs, and that meant I had to sing. What happened was that I discovered I had a voice plus the talent to mix classical music together with more popular songs, which at the time I detested.
Everything that happened to me as a child involved music. It was part of everyday life, as automatic as breathing.
I didn't get interested in music. It was a gift from God.
This may be a dream, but I'll say it anyway: I was supposed to be married last year, and I bought a gown. When I meet Nelson Mandela, I shall put on this gown and have the train of it removed and put aside, and kiss the ground that he walks on and then kiss his feet.
My songs speak for themselves. The musicians who play on them and the way they sound and where they were recorded and the way they were recorded is the old Nashville way ... they sound as country or more country than a lot of things that are on country radio.
... with Voodoo Child somebody was filming when we started doing that. We did that about three times because they wanted to film us in the studio, to make us (imitates a pompous voice) 'make it look like you're recording boys' - one of them scenes, you know, so okey, let's play this and then we went into Voodoo Child
With rap, you go in the studio, you make music, you put the music out, then all of a sudden, you're a star: you have a big record on the radio, and you're on stage, and you've never done it before. Let's say your first show is 'Summer Jam,' and you're in front of 60,000 people, and you've never played an arena, ever. You're gonna suck.
The blues is the roots, the rest is the fruits.
The main focus for me is not trying to find duet partners. It's about just making great songs. I want most of my album to be in my voice because it's my point of view.
The sound of the '90s, to me, is a combination of soul and street - it's a feeling.
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