They're not particular whether you're playing a flat 5th or a ruptured 129th as long as they can dance.
Dizzy GillespieRead
I think the idea is now for blacks to write about the history of our music. It's time for that, because whites have been doing it all the time. It's time for us to do it ourselves and tell it like it is.
Interpretation
Black artists should take control of their own musical narratives.
Dizzy Gillespie emphasizes the importance of Black musicians and writers in actively participating in the documentation and storytelling of their own musical heritage, rather than allowing it to be predominantly narrated by others. This call for ownership and authenticity highlights a need for a diverse perspective in the understanding and appreciation of music history.
In practice
In a panel discussion about the evolution of jazz music, this quote can highlight the importance of Black voices in music history.
They're not particular whether you're playing a flat 5th or a ruptured 129th as long as they can dance.
How do I know why Miles walks off the stage? Why don't you ask him? And besides, maybe we'd all like to be like Miles, and just haven't got the guts.
I'd like to play for you one of my compositions, my only composition.
Learn to play the piano, man, and then you can figure out crazy solos of your own.
I don't care much about music. What I like is sounds.
I always try to teach by example and not force my ideas on a young musician. One of the reasons we're here is to be a part of this process of exchange.
If I'd known white people were going to buy my last album, I never would have recorded it.
Many people don't understand how disciplined you have to be to play jazz... And that is really the idea of democracy - freedom within the Constitution or discipline. You don't just get out there and do anything you want.
There is a lot to say about what Bikini Kill and other 'riot grrrl' bands were able to achieve when they first set out. They were not some momentary, convulsive, creative spasm of independent music. There was a very real, relevant point of view being expressed.
Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
It's a folk singer's job to comfort disturbed people and to disturb comfortable people
It came in a vision - a man appeared on a flaming pie and said unto them, 'From this day forward you are Beatles with an A.' Thank you Mister Man, they said, thanking him.
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