They're not particular whether you're playing a flat 5th or a ruptured 129th as long as they can dance.
Dizzy GillespieRead
I think the idea is now for blacks to write about the history of our music. It's time for that, because whites have been doing it all the time. It's time for us to do it ourselves and tell it like it is.
Interpretation
Black artists should take control of their own musical narratives.
Dizzy Gillespie emphasizes the importance of Black musicians and writers in actively participating in the documentation and storytelling of their own musical heritage, rather than allowing it to be predominantly narrated by others. This call for ownership and authenticity highlights a need for a diverse perspective in the understanding and appreciation of music history.
In practice
In a panel discussion about the evolution of jazz music, this quote can highlight the importance of Black voices in music history.
They're not particular whether you're playing a flat 5th or a ruptured 129th as long as they can dance.
How do I know why Miles walks off the stage? Why don't you ask him? And besides, maybe we'd all like to be like Miles, and just haven't got the guts.
I'd like to play for you one of my compositions, my only composition.
Learn to play the piano, man, and then you can figure out crazy solos of your own.
I don't care much about music. What I like is sounds.
I always try to teach by example and not force my ideas on a young musician. One of the reasons we're here is to be a part of this process of exchange.
First of all, I swore it was two people playing. When I finally admitted to myself that was one man, I gave up the piano for a month. I figured it was hopeless to practice.
My definition of Blues is that it's a musical form which is very disciplined and structured coupled with a state of mind, and you can have either of those things but it's the two together that make it what it is. And you need to be a student for one, and a human being for the other, but those things alone don't do it.
In 1939, a newspaper ran a competition for the first load of boys off to war to pick their favourite singer. They chose me from my radio broadcasts. That's when I became known as the 'forces' sweetheart.'
All you needed was a couple of instruments and a few chords and you could be on an indie label.
I see N.Y. hip-hop like I see N.Y. streets. N.Y. streets are grimy; it's a grind. N.Y. rappers are hustlers - whatever sound is in, we can adapt to that; there's nothing wrong with that.
I always say, you gotta play a dive bar like you play an arena, and you play an arena like you play a dive bar.
Subscribe for the occasional hand-picked quote. No noise.