I don't feel any pressure from fans. But I'm always in some kind of state of emotional turmoil. I would not describe myself as happy-go-lucky. That's not to say that I'm not happy.
Paul SimonRead
My whole artistic life has always been about change, change, change, move on, move on. It's the only thing I find interesting.
Interpretation
The quote emphasizes the importance of change and progress in the artistic journey.
Paul Simon expresses that throughout his artistic career, the constant theme of change has been fundamental to his work. He finds that evolving and moving on is what keeps the artistic process engaging and meaningful, suggesting that creativity thrives on transformation.
In practice
In a speech about artistic innovation at a gallery opening.
I don't feel any pressure from fans. But I'm always in some kind of state of emotional turmoil. I would not describe myself as happy-go-lucky. That's not to say that I'm not happy.
I sort of recognize it, as opposed to shaping it. Oh, that's a good idea, that's a good line. I wonder where I can use that. And when you get into a rhyme group like 'not,' you got a lot of rhymes, you got a lot of choices. The more you do it, the luckier you get.
I am just a poor boy, though my story's seldom told, and I have squandered my resistance, for a pocket full of mumbles, such are promises. All lies in jest, still a man hears what he wants to hear and disregards the rest...la-la-la-la-la-la-la-lala-la-la-la-la...
Who's gonna love you when your looks are gone?
I don't believe what the papers are saying They're just out to capture my dime, Exaggerating this, exaggerating that.
Improvisation is too good to leave to chance.
Always be a poet, even in prose.
Guided only by their feeling for symmetry, simplicity, and generality, and an indefinable sense of the fitness of things, creative mathematicians now, as in the past, are inspired by the art of mathematics rather than by any prospect of ultimate usefulness.
Let me stop there, but my God, how beautiful Shakespeare is, who else is as mysterious as he is; his language and method are like a brush trembling with excitement and ecstasy. But one must learn to read, just as one must learn to see and learn to live.
Starting in the middle of a musical sentence and moving in both directions at once.
I write and sing about whatever I am able to understand and feel. I feel that it is healthier to look out at the world through a window than through a mirror. Otherwise, all you see is yourself and whatever is behind you.
The secret is not to write about what you love best, but about what you, alone, love at all.
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