We should attempt to bring nature, houses, and human beings together in a higher unity.
Ludwig Mies Van Der RoheRead
The long path from material through function to creative work has only one goal: to create order out of the desperate confusion of our time.
Interpretation
The quote emphasizes the journey of transforming raw material into meaningful creative expression amidst chaos.
Ludwig Mies Van Der Rohe highlights the creative process as a progression from the raw material through its functionality to the final artistic work. This journey is aimed at establishing order and clarity in a world that often feels disordered and chaotic, reflecting the essential role of creativity in making sense of our surroundings.
In practice
In a speech at an art exhibition discussing the importance of creativity in addressing societal issues.
We should attempt to bring nature, houses, and human beings together in a higher unity.
Architecture depends on facts, but its real field of activity lies in the realm of the significance.
The demands of the time for objectivity and functionality must be fulfilled. If that clearly happens, then the buildings of our day will convey the greatness of which the age is capable, and only a fool will maintain that they lack it.
I think that an industrial process is not like a rubber stamp. Everything has to be put together and, as such, should have its own expression.
Reinforced concrete buildings are by nature skeletal buildings. No noodles nor armoured turrets. A construction of girders that carry the weight, and walls that carry no weight. That is to say, buildings consisting of skin and bones.
Modern buildings of our time are so huge that one must group them. Often the space between these buildings is as important as the buildings themselves.
Maybe I am not very human - what I wanted to do was to paint sunlight on the side of a house.
The desire for symmetry, for balance, for rhythm in form as well as in sound, is one of the most inveterate of human instincts.
One of the convenient things about literature is that, despite copyrights [...] a book belongs to the reader as well as to the writer.
I have a real interest in pushing some of the limits of things that studios don't want to make.
O! for a muse of fire, that would ascend the brightest heaven of invention.
If someone asked, 'What are your films like?,' the best I can come up with is that they're, like, a fine balance between comedy and drama. And they deal mainly with the clumsiness of humanity.
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