Hearing a whole entire room sing back to me, 'I guess it's true I'm not good at a one-night stand,' you know, I just can't explain the feeling. It's unreal. You feel like you've just read your diary to thousands of people and they've gone, 'It's okay. We still love you.'
Interpretation
The quote expresses the profound emotional connection and acceptance felt when sharing personal experiences through music.
In this quote, Sam Smith reflects on the deep and surreal experience of performing a personal song that resonates with the audience. The feeling of having a crowd sing back lyrics that reveal vulnerability and intimacy creates a sense of acceptance and love, as if the audience is affirming their understanding and support of the artist's emotions and experiences.
In practice
During a music festival, you might use this quote to discuss the power of live performance.
I'll be excited when I get my heart broken properly for the first time. I'll be like, 'Thank God I've experienced something. Someone wanted to kiss me.' That's when it's going to be interesting: When you break up, they're taking a piece with them.
It was only until I started to be myself that the music started to flow and people started to listen. So, thank you guys...
I'm a gay man who came out when I was 10 years old, and there's nothing in my life that I'm prouder of.
I don't want to make music that is hot now; I want to make music that is hot forever.
The blues will always be because the blues are the roots of all American music.
I have been accused of being a very simplistic, very lyrical player, and that's okay. That just comes from the blues, which is my background. But every day you wake up and transcend. You can't ever rest on your laurels.
Anybody singing the blues is in a deep pit yelling for help.
The guitar for me is a translation device. It's not a goal. And in some ways, jazz isn't a destination for me. For me, jazz is a vehicle that takes you to the true destination - a musical one that describes all kinds of stuff about the human condition and the way music works.
I never made beats to make beats; I only made them when there was a record to make them for. That's one of the things that has changed in hip-hop that's made me like it less. It feels much more like it's a producer-driven medium, where there are all these tracks that are completely interchangeable.
It may be that when the angels go about their task praising God, they play only Bach. I am sure, however, that when they are together en famille they play Mozart.
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