I don't want to make music that is hot now; I want to make music that is hot forever.
Interpretation
The quote emphasizes the desire to create timeless art rather than following fleeting trends.
Sam Smith expresses a commitment to producing music that endures over time, contrasting the ephemeral nature of current trends with the aspiration to leave a lasting impact. This reflects the idea that true artistry transcends momentary popularity, aiming instead for relevance across generations.
In practice
During a music workshop, one might use this quote to inspire emerging artists to focus on lasting quality in their work.
I'll be excited when I get my heart broken properly for the first time. I'll be like, 'Thank God I've experienced something. Someone wanted to kiss me.' That's when it's going to be interesting: When you break up, they're taking a piece with them.
It was only until I started to be myself that the music started to flow and people started to listen. So, thank you guys...
I'm a gay man who came out when I was 10 years old, and there's nothing in my life that I'm prouder of.
Hearing a whole entire room sing back to me, 'I guess it's true I'm not good at a one-night stand,' you know, I just can't explain the feeling. It's unreal. You feel like you've just read your diary to thousands of people and they've gone, 'It's okay. We still love you.'
You must think. The eye is not enough; it needs to think as well.
What a lumbering poor vehicle prose is for the conveying of a great thought! ... Prose wanders around with a lantern & laboriously schedules & verifies the details & particulars of a valley & its frame of crags & peaks, then Poetry comes, & lays bare the whole landscape with a single splendid flash.
Everything that I saw became something to be made, and it had to be exactly as it was, with nothing added. It was a new freedom: there was no longer the need to compose. The subject was there already made, and I could take from everything. It all belonged to me: a glass roof of a factory, with its broken and patched panels, lines on a road map, a corner of a Braque painting, paper fragments in the street. It was all the same: anything goes.
Actors are always afraid of ending up like overcooked old soup over time. What's risky is that you don't realize this has happened, and you just get thick and boring. Going abroad was like getting a new pot to cook everything again. I was a rookie, a new self. And they were asking me, 'Who are you?'
As a songwriter, if you can touch people and make them feel a little less alone in the world, then you've done your job.
As an architect you design for the present, with an awareness of the past, for a future which is essentially unknown.
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