The comic spirit is given to us in order that we may analyze, weigh, and clarify things in us which nettle us, or which we are outgrowing, or trying to reshape
Thornton WilderRead
the whole purport of literature...is the notation of the heart. Style is but the faintly contemptible vessel in which the bitter liquid is recommended to the world.
Interpretation
Literature expresses human emotion and experience, while style is secondary to the heartfelt message.
Thornton Wilder's quote highlights the essence of literature as a reflection of human emotions and the complexities of the heart. He suggests that the true purpose of literature is to convey deep feelings and experiences, whereas the style in which it is presented is merely a vessel that may not do justice to the underlying sentiment.
In practice
During a literary seminar discussing the essence of storytelling.
The comic spirit is given to us in order that we may analyze, weigh, and clarify things in us which nettle us, or which we are outgrowing, or trying to reshape
A man looks pretty small at a wedding, George. All those good women standing shoulder to shoulder, making sure that the knot's tied in a mighty public way.
Good-by, Good-by, world. Good-by, Grover's Corners... Mama and Papa. Good-by to clocks ticking... and Mama's sunflowers. And food and coffee. And new-ironed dresses and hot baths...and sleeping and waking up. Oh, earth, you're too wonderful for anybody to realize you.
When you're safe at home you wish you were having an adventure; when you're having an adventure you wish you were safe at home.
Many great writers have been extraordinarily awkward in daily exchange, but the greatest give the impression that their style was nursed by the closest attention to colloquial speech.
I want you to try and remember what it was like to have been very young. And particularly the days when you were first in love; when you were like a person sleepwalking, and you didn’t quite see the street you were in, and didn’t quite hear everything that was said to you. You’re just a little bit crazy. Will you remember that, please?
When I have had such men before my camera my whole soul has endeavored to do its duty towards them in recording faithfully the greatness of the inner as well as the features of the outer man. The photograph thus taken has been almost the embodiment of a prayer.
In film, it's very important to not allow yourself to get sentimental, which, being British, I try to avoid. People sometimes regard sentimentality as emotion. It is not. Sentimentality is unearned emotion.
What makes a poem is the discipline inherent in making a poem: trying to fit feelings in the requisite number of syllables and lines, disciplining one's feelings.
The idea that one might use art for 'instrumental' reasons tends to set off alarm bells at the heart of the cultural elite, who contend that it's not a pill, that it shouldn't be asked to perform some specific function, especially something as egocentric as to 'cheer you up' or to 'make you a more empathetic person.'
I don't think of poetry as a 'rational' activity but as an aural one. My poems usually begin with words or phrases which appeal more because of their sound than their meaning, and the movement and phrasing of a poem are very important to me.
Variety is very, very good. Going from medium to medium, if you get the chance to do it, from theater to television to film, which are all distinctly different, keeps me sharp. What works in one doesn't work in the other, and you have to be looking for the truth of the performance, whatever way that medium might demand.
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