One of the great things about books is you can afford to do anything.
George R. R. MartinRead
If you go all the way back, I've always written science-fiction, I've always written fantasy, I've always written horror stories and monster stories, right from the beginning of my career. I've always moved back and forth between the genres. I don't really recognise that there's a significant difference between them in some senses.
Interpretation
The quote emphasizes the interconnectedness of different genres in storytelling.
George R. R. Martin reflects on his diverse writing journey, highlighting how he has blended elements of science fiction, fantasy, and horror throughout his career. He suggests that, to him, these genres are not as distinct as they are often perceived, indicating that storytelling transcends genre boundaries and can draw from multiple influences.
In practice
In a creative writing workshop to inspire students to explore multiple genres.
One of the great things about books is you can afford to do anything.
I hate outlines. I have a broad sense of where the story is going; I know the end, I know the end of the principal characters, and I know the major turning points and events from the books, the climaxes for each book, but I don't necessarily know each twist and turn along the way. That's something I discover in the course of writing and that's what makes writing enjoyable. I think if I outlined comprehensively and stuck to the outline the actual writing would be boring.
There is only one god and his name is Death. And there is only one thing we say to Death: “Not today.
I did not do it. Yet now I wish I had.’ He turned to face the hall, that sea of pale faces. ‘I wish I had enough poison for you all. You make me sorry that I am not the monster you would have me be, yet there it is. I am innocent, but I will get no justice here.
But a voice inside her whispered, There are no heroes, and she remembered what Lord Petyr had said to her, here in this very hall. 'Life is not a song, sweetling,' he'd told her, 'You may learn that one day to your sorrow.' In life, the monsters win, she told herself.
I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
Theoretically, the actor ought to be more sound in mind and body than other people, since he learns to understand the psychological problems of human beings when putting his own passions, his loves, fears, and rages to work in the service of the characters he plays. He will learn to face himself, to hide nothing from himself- and to do so takes AN INSATIABLE CURIOSITY ABOUT THE HUMAN CONDITION
An acting career usually has about a shelf life of ten years before people get sick of seeing you. It's a good thing to have a job to fall back on and I really do enjoy directing.
A photograph doesn't gain weight or lose weight, or change from being happy to being sad. It's frozen. You can use it, then recycle it.
A play is made by sensing how the forces in life simulate ignorance-you set free the concealed irony, the deadly joke.
I would like to paint the way a bird sings.
When I am writing, I do not distinguish between the natural and supernatural. Everything seems real. That is my world, you could say.
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