Summer is the time when one sheds one's tensions with one's clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all's right with the world.
Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know. The gamble of triumph or tragedy at this scale — and ultimately it is a gamble — demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
Interpretation
What this quote means
The quote reflects the duality of monumental architecture, highlighting both its potential for greatness and the risks involved.
In this quote, Ada Louise Huxtable emphasizes the fear and uncertainty that come with large-scale architectural projects like skyscrapers. While such constructions can symbolize progress and innovation, they also carry the risk of failure, becoming not just awe-inspiring achievements but also reminders of human hubris if they end tragically. The quote encapsulates the tension between ambition and caution in the face of monumental design.
Themes
In practice
Example use cases
This quote can be used in a speech about urban development and the challenges of architectural design.
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The space within becomes the reality of the building.
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My architectural drive was to design new types of buildings to help poor people, especially following natural disasters and catastrophes... I will use whatever time is left to me to keep doing what I have been doing, which is to help humanity.