I'm a bad customer for my own buildings! If I'm choosing an apartment, I choose one about five or six stories high so that I can see the people, the trees, and the world on the street. Beyond that, I lose contact with the ground!
Interpretation
The quote reflects the importance of being connected to the environment and community in architectural design.
Cesar Pelli emphasizes the significance of human connection to the surroundings in architecture, using his preference for mid-rise buildings as an example. He believes that buildings should allow inhabitants to experience their environment and maintain a relationship with the ground and community rather than feeling isolated in tall structures.
In practice
In a discussion about urban planning, this quote can highlight the need for mid-rise buildings that promote community interaction.
I realize that having a style would be very beneficial for my practice from a marketing standpoint, but I can't do it. I believe my responsibilities as an architect are to design the most appropriate building for the place. Each place has a distinct culture and function, which for me requires an appropriate answer.
Architecture adds dimensions to my life that would be impossible to acquire if I retired. The beautiful thing about architecture is that every project is brand new. I am forced to renew myself with every project. Isn't that wonderful?
I'm particularly interested in the public role that all buildings play. I believe that we architects should try to go beyond our basic obligations to the public, and our opportunities to do so are many.
If you look at the Earth without architecture, its sometimes a little bit unpleasant. So there is this basic human need to do shelter in the broadest sense of the word, whether its a movie theater or a simple log cabin in the mountains. This is the core of architecture: To provide a space for human beings.
We shape our buildings; thereafter they shape us.
Architects mostly work for privileged people, people who have money and power. Power and money are invisible, so people hire us to visualize their power and money by making monumental architecture. I love to make monuments, too, but I thought perhaps we can use our experience and knowledge more for the general public, even for those who have lost their houses in natural disasters.
Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know. The gamble of triumph or tragedy at this scale — and ultimately it is a gamble — demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
Modernist buildings exclude dialogue, and the void that they create around themselves is not a public space but a desertification
One cannot make architecture without studying the condition of life in the city
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