Architecture is a hazardous mixture of omnipotence and impotence. It is by definition a c h a o t i c a d v e n t u r e... In other words, the utopian enterprise.
Rem KoolhaasRead
What is now called 'green architecture' is an opportunistic caricature of a much deeper consideration of the issues related to sustainability that architecture has been engaged with for many years. It was one of the first professions that was deeply concerned with these issues and that had an intellectual response to them.
Interpretation
Green architecture represents a superficial understanding of sustainability issues in architecture.
In this quote, Rem Koolhaas critiques the current trend of green architecture, suggesting that it oversimplifies the long-standing and complex discussions architecture has had regarding sustainability. He emphasizes that architecture has historically engaged with these issues on a deeper intellectual level, and the modern interpretation is merely a caricature of that rich discourse.
In practice
During a lecture on modern architecture, you might quote this to highlight the evolution of sustainability in design.
Architecture is a hazardous mixture of omnipotence and impotence. It is by definition a c h a o t i c a d v e n t u r e... In other words, the utopian enterprise.
The acceptance of certain realities doesn't preclude idealism. It can lead to certain breakthroughs.
Architecture is a dangerous mix of power and importance.
Japan lives with drastic segregation between the sublime, the ugly, and the utterly without qualities. Dominance of the last 2 categories makes mere presence of the first stunning: when beauty 'happens', it is absolutely surprising.
We live in an almost perfect stillness and work with incredible urgency.
The City is an addictive machine from which there is no escape
I would like to use architecture to create bonds between people who live in cities, and even use it to recover the communities that used to exist in every single city.
I'm a bad customer for my own buildings! If I'm choosing an apartment, I choose one about five or six stories high so that I can see the people, the trees, and the world on the street. Beyond that, I lose contact with the ground!
All buildings, large or small, public or private, have a public face, a facade; they therefore, without exception, have a positive or negative effect on the quality of the public realm, enriching or impoverishing it in a lasting and radical manner. The architecture of the city and public space is a matter of common concern to the same degree as laws and language—they are the foundation of civility and civilisation.
My architectural drive was to design new types of buildings to help poor people, especially following natural disasters and catastrophes... I will use whatever time is left to me to keep doing what I have been doing, which is to help humanity.
We shape our buildings; thereafter they shape us.
The difference between a builder and an architect is that an architect also cares about desire, about dreams.
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