Architecture is a hazardous mixture of omnipotence and impotence. It is by definition a c h a o t i c a d v e n t u r e... In other words, the utopian enterprise.
Rem KoolhaasRead
What is now called 'green architecture' is an opportunistic caricature of a much deeper consideration of the issues related to sustainability that architecture has been engaged with for many years. It was one of the first professions that was deeply concerned with these issues and that had an intellectual response to them.
Interpretation
Green architecture represents a superficial understanding of sustainability issues in architecture.
In this quote, Rem Koolhaas critiques the current trend of green architecture, suggesting that it oversimplifies the long-standing and complex discussions architecture has had regarding sustainability. He emphasizes that architecture has historically engaged with these issues on a deeper intellectual level, and the modern interpretation is merely a caricature of that rich discourse.
In practice
During a lecture on modern architecture, you might quote this to highlight the evolution of sustainability in design.
Architecture is a hazardous mixture of omnipotence and impotence. It is by definition a c h a o t i c a d v e n t u r e... In other words, the utopian enterprise.
The acceptance of certain realities doesn't preclude idealism. It can lead to certain breakthroughs.
Architecture is a dangerous mix of power and importance.
Japan lives with drastic segregation between the sublime, the ugly, and the utterly without qualities. Dominance of the last 2 categories makes mere presence of the first stunning: when beauty 'happens', it is absolutely surprising.
We live in an almost perfect stillness and work with incredible urgency.
The City is an addictive machine from which there is no escape
It is difficult to design a space that will not attract people. What is remarkable is how often this has been accomplished.
Contemporary architects tend to impose modernity on something. There is a certain concern for history but it’s not very deep. I understand that time has changed, we have evolved. But I don’t want to forget the beginning. A lasting architecture has to have roots.
I'm a bad customer for my own buildings! If I'm choosing an apartment, I choose one about five or six stories high so that I can see the people, the trees, and the world on the street. Beyond that, I lose contact with the ground!
The space within becomes the reality of the building.
Why should we build very large spaces when they are not necessary? We can design halls spanning several kilometres and covering a whole city, but we have to ask, what does it really make? What does society really need?
The criteria for architecture after the tsunami is humbleness
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