Architecture is a hazardous mixture of omnipotence and impotence. It is by definition a c h a o t i c a d v e n t u r e... In other words, the utopian enterprise.
Rem KoolhaasRead
Japan lives with drastic segregation between the sublime, the ugly, and the utterly without qualities. Dominance of the last 2 categories makes mere presence of the first stunning: when beauty 'happens', it is absolutely surprising.
Interpretation
Japan's contrasting aesthetics heighten the impact of beauty amidst minimalism and imperfections.
In this quote, Rem Koolhaas reflects on the unique cultural aesthetics of Japan, where there is a stark contrast between different qualities—beauty, ugliness, and the mundane. He suggests that the scarcity of beauty, particularly in an environment filled with the ordinary and unattractive, makes instances of beauty far more remarkable and surprising, thus creating a distinct appreciation for the sublime in the Japanese context.
In practice
In an art history lecture discussing Japanese aesthetics.
Architecture is a hazardous mixture of omnipotence and impotence. It is by definition a c h a o t i c a d v e n t u r e... In other words, the utopian enterprise.
What is now called 'green architecture' is an opportunistic caricature of a much deeper consideration of the issues related to sustainability that architecture has been engaged with for many years. It was one of the first professions that was deeply concerned with these issues and that had an intellectual response to them.
The acceptance of certain realities doesn't preclude idealism. It can lead to certain breakthroughs.
Architecture is a dangerous mix of power and importance.
We live in an almost perfect stillness and work with incredible urgency.
The City is an addictive machine from which there is no escape
These designers have no reserve. They've chosen a path and thrown themselves onto it head first, regardless of everything. Whether or not their designs are sellable or vulgar. As long as it's new and people talk about it. That is the truth.
All the music I loved as a child, people thought it was junk. People were unaware of the subtext in so many of those records but if you were a kid you were just completely tuned in, even though you didn't always say - you wouldn't dare say it was beautiful.
They are fairies; he that speaks to them shall die. I'll wink and couch; no man their works must eye.
People ask me, 'Why are you still writing books?' Like I'm still only writing to make money and as soon as I have enough I'll quit and go fishing? I like to write books. It's the most satisfying thing I do.
I write because I'm in love with language; because I like working for myself, inside my head; and because it's the only way I know to make a stab at answering the never-ending questions of the heart that arise simply from the everyday living of our lives.
There is no model, there is only color.
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