Architecture is a hazardous mixture of omnipotence and impotence. It is by definition a c h a o t i c a d v e n t u r e... In other words, the utopian enterprise.
Rem KoolhaasRead
Japan lives with drastic segregation between the sublime, the ugly, and the utterly without qualities. Dominance of the last 2 categories makes mere presence of the first stunning: when beauty 'happens', it is absolutely surprising.
Interpretation
Japan's contrasting aesthetics heighten the impact of beauty amidst minimalism and imperfections.
In this quote, Rem Koolhaas reflects on the unique cultural aesthetics of Japan, where there is a stark contrast between different qualities—beauty, ugliness, and the mundane. He suggests that the scarcity of beauty, particularly in an environment filled with the ordinary and unattractive, makes instances of beauty far more remarkable and surprising, thus creating a distinct appreciation for the sublime in the Japanese context.
In practice
In an art history lecture discussing Japanese aesthetics.
Architecture is a hazardous mixture of omnipotence and impotence. It is by definition a c h a o t i c a d v e n t u r e... In other words, the utopian enterprise.
What is now called 'green architecture' is an opportunistic caricature of a much deeper consideration of the issues related to sustainability that architecture has been engaged with for many years. It was one of the first professions that was deeply concerned with these issues and that had an intellectual response to them.
The acceptance of certain realities doesn't preclude idealism. It can lead to certain breakthroughs.
Architecture is a dangerous mix of power and importance.
We live in an almost perfect stillness and work with incredible urgency.
The City is an addictive machine from which there is no escape
Art is a personal act of courage, something one human does that creates change in another.
I hear the singing of the lives of women. They clear mystery, the offering, and pride.
As a dramatist, you have 200 choices at every fork in the road. But the audience will reject it if you make the wrong choice, if they feel you are trying to shape the character in a way that suits you. It rings false immediately. People can sense when you're being cynical or schematic.
What I always wanted to get seen as was as a good actor, when it was the acting I was doing. When I'm writing, I want to try to be seen as a good writer.
Jazz is a very democratic musical form. It comes out of a communal experience. We take our respective instruments and collectively create a thing of beauty.
I think good radio often uses the techniques of fiction: characters, scenes, a big urgent emotional question. And as in the best fiction, tone counts for a lot.
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