"God does not give us more than we can handle," I am told but I wonder if God doesn't overestimate me just a little. Or perhaps, and this is likely, I underestimate God.
Julia CameronRead
By being willing to be a bad artist, you have a chance to be an artist, and perhaps, over time, a very good one.
Interpretation
Embracing imperfection allows for growth and improvement in artistic endeavors.
Julia Cameron's quote emphasizes the importance of accepting one's flaws and mistakes in the journey of becoming an artist. By being open to the possibility of being a 'bad artist,' individuals can allow themselves the freedom to create, learn, and ultimately evolve into skilled artists over time.
In practice
In a workshop about developing artistic skills, one might use this quote to encourage participants to embrace their early attempts at art.
"God does not give us more than we can handle," I am told but I wonder if God doesn't overestimate me just a little. Or perhaps, and this is likely, I underestimate God.
When it was suggested that I write a memoir I said, 'I'm not old enough. I'm not distinguished enough.' But I went home and sat down to write, and the material for the book just came flooding into my hands.
... success or failure, the truth of a life really has little to do with its quality. The quality of life is in proportion, always, to the capacity for delight. The capacity for delight is the gift of paying attention.
While there is no quick fix for instant, pain-free creativity, creative recovery (or discovery) is a teachable, trackable spiritual process. Each of us is complex and highly individual, yet there are common recognizable denominators to the creative recovery process.
In limits, there is freedom. Creativity thrives within structure. Creating safe havens where our children are allowed to dream, play, make a mess and, yes, clean it up, we teach them respect for themselves and others.
In order to have a real relationship with our creativity, we must take the time and care to cultivate it.
I grew up watching period dramas, as we all did in the 1980s and '90s - endless adaptations of Jane Austen and Charles Dickens - and I loved them. But I never saw anyone like me in them, so I decided to find a story to erode the excuses for me not doing one.
I paint my own reality. The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.
It is your work in life that is the ultimate seduction.
If you've noticed that I don't use long takes, it's not because I don't like them, but because no one gives me the necessary means to treat myself to them. It's more economical to make one image, then this image and then that image, and try to control them later, in the editing studio.
A poet is a bird of unearthly excellence, who escapes from his celestial realm arrives in this world warbling. If we do not cherish him, he spreads his wings and flies back into his homeland.
Art remains the one way possible of speaking truth.
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