You will become way less concerned with what other people think of you when you realize how seldom they do.
David Foster WallaceRead
To be willing to sort of die in order to move the reader, somehow. Even now I'm scared about how sappy this'll look in print, saying this.
Interpretation
The quote reflects the deep emotional commitment an artist may feel to engage and move their audience.
In this quote, David Foster Wallace expresses the intense passion and vulnerability that can accompany the act of writing. He suggests that a writer must be willing to risk their own emotional safety, akin to 'dying' in a metaphorical sense, in order to genuinely connect with and affect their readers. This sentiment encapsulates the struggle artists face when balancing authenticity and the fear of judgment.
In practice
In a literary workshop, one might use this quote to highlight the emotional depth needed in creative writing.
You will become way less concerned with what other people think of you when you realize how seldom they do.
Everything in my own immediate experience supports my deep belief that I am the absolute center of the universe, the realest, most vivid and important person in existence.
It seems important to find ways of reminding ourselves that most 'familiarity' is meditated and delusive.
Under fun's new administration, writing fiction becomes a way to go deep inside yourself and illuminate precisely the stuff you don't want to see or let anyone else see, and this stuff usually turns out (paradoxically) to be precisely the stuff all writers and readers share and respond to, feel.
Acceptance is usually more a matter of fatigue than anything else.
Bliss - a-second-by-second joy and gratitude at the gift of being alive, conscious - lies on the other side of crushing, crushing boredom. Pay close attention to the most tedious thing you can find (Tax Returns, Televised Golf) and, in waves, a boredom like youβve never known will wash over you and just about kill you. Ride these out, and itβs like stepping from black and white into color. Like water after days in the desert. Instant bliss in every atom.
Every age has its own poetry; in every age the circumstances of history choose a nation, a race, a class to take up the torch by creating situations that can be expressed or transcended only through poetry.
Things rust, you know, like the heart. My cardiologist said, 'It's a pump; use it - that's the sole advice I've got to give you.' It's the same in playwriting. Don't theorise about it. Do it.
There's something wonderfully exciting about the quiet sing song of an aeroplane overhead with all the guns in creation lighting out at it, and searchlights feeling their way across the sky like antennae, and the earth shaking snort of the bombs and the whimper of shrapnel pieces when they come down to patter on the roof.
He asked, "what makes a man a writer?" "well," I said, "it's simple, it's either you get it down on paper or you jump off a bridge. writers are desperate people and when they stop being desperate they stop being writers." "are you desperate?" "I don't know.
Fiction writing is a twenty-four-hou r-a-day occupation. You never leave your work behind. It is always with you, and to some extent, you are always thinking about it. You don't take your work home; your work never leaves home. It lives inside you. It resides and grows and comes alive in your mind.
And for the first time in hundreds of years, the night came alive with the music of dragons.
Subscribe for the occasional hand-picked quote. No noise.