Against Him those women sin who torment their skin with potions, stain their cheeks with rouge and extend the line of their eyes with black coloring. Doubtless they are dissatisfied with God's plastic skill. In their own persons they convict and censure the Artificer of all things.
Interpretation
This quote criticizes women who alter their appearance with cosmetics, suggesting they are unhappy with their natural beauty.
Tertullian's quote reflects a perspective on beauty and self-acceptance during his time, arguing that those who manipulate their appearance through makeup are expressing dissatisfaction with their God-given forms. He implies that such actions not only signify a lack of appreciation for one's natural features but also challenge the creator's intent and artistry in making each individual unique.
In practice
In a discussion about beauty standards, this quote could highlight the importance of self-acceptance.
Whatever is born is the work of God. So whatever is plastered on, is the devil's work.... How unworthy of the Christian name it is to wear a fictitious face - you on whom simplicity in every form is enjoined! You, to whom lying with the tongue is not lawful, are lying in appearance.
Nature soaks every evil with either fear or shame.
Examine then, and see if He be not the dispenser of kingdoms, who is Lord at once of the world which is ruled, and of man himself who rules; if He have not ordained the changes of dynasties, with their appointed seasons, who was before all time, and made the world a body of times; if the rise and the fall of states are not the work of Him, under whose sovereignty the human race once existed without states at all.
For it is really better for us not to know a thing, because [God] has not revealed it to us, than to know it according to man’s wisdom, because he has been bold enough to assume it.
The first reaction to truth is hatred.
We say, and we say openly, and while ye torture us, mangled and gory we cry out, "We worship God through Christ!" Believe Him a man: it is through Him and in Him that God willeth Himself to be known and worshipped.
Sculpture is the art of the hole and the lump.
A bit of advice, don't copy nature too closely. Art is an abstraction; as you dream amid nature, extrapolate art from it, and concentrate on what you will create as a result.
The power of both myth and art is this magical ability to open doors, to make connections - not only between us and the natural world, but between us and the rest of humanity. Myths show us what we have in common with every other human being, no matter what culture we come from, no matter what century we live in. . .and at the same time, mythic stories and art celebrate our essential differences.
I like to know the places I write about. I feel like it helps me ground the novel. My novels are 'realistic novels,' but they can also be fantastical, so it's nice to have a setting that grounds them a little bit.
My idea of art is, you write something that makes people feel so strongly that they get some conviction about who they want to be or what they want to do. It's morally useful not in a political way, but it makes your heart bigger; it's emotionally and spiritually empowering.
Very often people looking at my pictures say, 'You must have had to wait a long time to get that cloud just right (or that shadow, or the light).' As a matter of fact, I almost never wait, that is, unless I can see that the thing will be right in a few minutes. But if I must wait an hour for the shadow to move, or the light to change, or the cow to graze in the other direction, then I put up my camera and go on, knowing that I am likely to find three subjects just as good in the same hour.
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