A studio, like a poem, is an intimacy and a freedom you can look out from, into each part of your life and a little beyond.
Jane HirshfieldRead
Any woodthrush shows it - he sings, not to fill the world, but because he is filled.
Interpretation
The quote emphasizes that true creation comes from genuine inspiration rather than the desire for recognition.
Jane Hirshfield's quote highlights the idea that an artist, much like the woodthrush bird, creates out of an intrinsic need to express themselves. The woodthrush sings not to impress anyone but because it is naturally moved to do so. This serves as a reminder that authentic creativity stems from inner fulfillment rather than external validation.
In practice
In a discussion about the essence of art at an exhibition, one might say, 'As Jane Hirshfield beautifully put it, any woodthrush shows it - he sings, not to fill the world, but because he is filled.'
A studio, like a poem, is an intimacy and a freedom you can look out from, into each part of your life and a little beyond.
What we want from art is whatever is missing from the lives we are already living and making. Something is always missing, and so art-making is endless.
as some strings, untouched, sound when no one is speaking. So it was when love slipped inside us.
Tree It is foolish to let a young redwood grow next to a house. Even in this one lifetime, you will have to choose. That great calm being, this clutter of soup pots and books-- Already the first branch-tips brush at the window. Softly, calmly, immensity taps at your life.
I write because to write a new sentence, let alone a new poem, is to cross the threshold into both a larger existence and a profound mystery. A thought was not there, then it is. An image, a story, an idea about what it is to be human, did not exist, then it does. With every new poem, an emotion new to the heart, to the world, speaks itself into being.
Zen pretty much comes down to three things -- everything changes; everything is connected; pay attention.
All of the significant art of today stems from Conceptual art. This includes the art of installation, political, feminist and socially directed art.
I want my buildings to take root and look as if they've always been there. It isn't about pastiche or adapting what's already there. It's about trying to blend the future and the past.
No matter how many times people say it - 'Oh, I'm just writing this for myself' 'Oh, I'm just doing this for myself' - nobody's doing it for themselves! You're doing it for an audience. So whether I'm performing or writing a book or playing music, it's definitely to be put out there and to be received in some way, definitely.
Sometimes photographers mistake emotion for what makes a great street photograph.
The thing that I've always been slightly frustrated with, was that the idea of a CD is kind of confined to a material possession that you can put on a shelf. And the idea of music, for me, is always about both the communication and the sharing of content. And so the interactive part is missing.
Wrestling was like stand-up comedy for me. Every night I had a live audience of 25,000 people to win over. My goal was never to be the loudest or the craziest. It was to be the most entertaining.
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