What we want from art is whatever is missing from the lives we are already living and making. Something is always missing, and so art-making is endless.
Jane HirshfieldRead
A studio, like a poem, is an intimacy and a freedom you can look out from, into each part of your life and a little beyond.
Interpretation
The quote emphasizes the connection between creativity and personal freedom, suggesting that both a studio and a poem allow for reflection on life.
Jane Hirshfield compares a studio to a poem, highlighting the intimate space they create for self-expression and observation of life. Both serve as platforms that not only allow one to delve into personal experiences but also to gain broader insights, symbolizing how art can facilitate a deeper understanding of one's surroundings and existence.
In practice
In a speech about the importance of creativity in education, this quote could be used to illustrate how art encourages personal growth.
What we want from art is whatever is missing from the lives we are already living and making. Something is always missing, and so art-making is endless.
as some strings, untouched, sound when no one is speaking. So it was when love slipped inside us.
Tree It is foolish to let a young redwood grow next to a house. Even in this one lifetime, you will have to choose. That great calm being, this clutter of soup pots and books-- Already the first branch-tips brush at the window. Softly, calmly, immensity taps at your life.
I write because to write a new sentence, let alone a new poem, is to cross the threshold into both a larger existence and a profound mystery. A thought was not there, then it is. An image, a story, an idea about what it is to be human, did not exist, then it does. With every new poem, an emotion new to the heart, to the world, speaks itself into being.
Zen pretty much comes down to three things -- everything changes; everything is connected; pay attention.
I thought I would love you forever—and, a little, I may, in the way I still move toward a crate, knees bent, or reach for a man: as one might stretch for the three or four fruit that lie in the sun at the top of the tree; too ripe for any moment but this, they open their skin at first touch, yielding sweetness, sweetness and heat, and in me, each time since, the answering yes.
The second, and I think this is the much more overt and I think it is the main cause, I have been increasingly demonstrating or trying to demonstrate that every possible stance a critic, a scholar, a teacher can take towards a poem is itself inevitably and necessarily poetic.
There's a crystallization that goes on in a poem which the young man can bring off, but which the middle-aged man can't.
A good writer possesses not only his own spirit but also the spirit of his friends.
The strange dilemma of the 'ethnic-fiction' writer is that you are supposed to carry a banner for your homeland, be a voice for it, and educate the rest of the world about it, but I think that's far too onerous a burden for any writer to bear.
Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child.
I have always believed that art should be a deep pleasure...ther e is always, everywhere, an enormous amount of suffering. But I believe my duty as an artist is to overcome and alleviate the sterility of despair...New ways of seeing mean new ways of feeling... I do believe that painting can change the world.
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