A studio, like a poem, is an intimacy and a freedom you can look out from, into each part of your life and a little beyond.
Jane HirshfieldRead
I thought I would love you forever—and, a little, I may, in the way I still move toward a crate, knees bent, or reach for a man: as one might stretch for the three or four fruit that lie in the sun at the top of the tree; too ripe for any moment but this, they open their skin at first touch, yielding sweetness, sweetness and heat, and in me, each time since, the answering yes.
Interpretation
This quote expresses a deep, enduring affection that has the sweetness of a memorable connection.
In this quote, Jane Hirshfield reflects on the nature of love, suggesting that while the initial passion may fade, the deep emotional connection and the memories associated with it persist. She uses the metaphor of reaching for ripe fruit to illustrate moments of desire and fulfillment, capturing the essence of how love evolves yet remains impactful over time.
In practice
A wedding speech where the speaker reflects on lasting love.
A studio, like a poem, is an intimacy and a freedom you can look out from, into each part of your life and a little beyond.
What we want from art is whatever is missing from the lives we are already living and making. Something is always missing, and so art-making is endless.
as some strings, untouched, sound when no one is speaking. So it was when love slipped inside us.
Tree It is foolish to let a young redwood grow next to a house. Even in this one lifetime, you will have to choose. That great calm being, this clutter of soup pots and books-- Already the first branch-tips brush at the window. Softly, calmly, immensity taps at your life.
I write because to write a new sentence, let alone a new poem, is to cross the threshold into both a larger existence and a profound mystery. A thought was not there, then it is. An image, a story, an idea about what it is to be human, did not exist, then it does. With every new poem, an emotion new to the heart, to the world, speaks itself into being.
Zen pretty much comes down to three things -- everything changes; everything is connected; pay attention.
Passion cannot be beautiful without excess; one either loves too much or not enough.
Nilda is watching the ground as though she's afraid she might fall. My heart is beating and I think, We could do anything. We could marry. We could drive off to the West Coast. We could start over. It's all possible but neither of us speaks for a long time and the moment closes and we're back in the world we've always known.
Once that living love is destroyed by contraception, abortion follows very easily.
She let him come further, his lips came and surging, surging, soft, oh soft, yet on, like the powerful surge of water, irresistible, till with a little blind cry, she broke away.
I will write a book one day about how I feel about every aspect of Emily Stone. She's a full genius. She has found her genius and is giving it all so fully and beautifully. I think everyone who works with her, brushes shoulders with her, or even makes eye contact with her, gets a shot of sunshine.
I have always found that actively loving saves one from a morbid preoccupation with the shortcomings of society.
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