Tonight, tonight, won't be just any night. Tonight there will be no morning star.
Stephen SondheimRead
Work is what you do for others, liebchen. Art is what you do for yourself.
Interpretation
This quote highlights the distinction between work done for the benefit of others and art created for personal fulfillment.
Stephen Sondheim emphasizes that work often involves responsibilities and obligations to others, whereas art is a deeply personal expression that serves the artist's own feelings, thoughts, and desires. This distinction prompts individuals to reflect on their motivations and the value of self-expression in their lives.
In practice
During an art exhibit, one could quote this to emphasize the personal nature of artistic expression.
Tonight, tonight, won't be just any night. Tonight there will be no morning star.
After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.
Musical comedies aren't written, they are rewritten.
Let Pirelli's / Miracle Elixir / Activate your roots, sir... Keep it off your boots, sir- / Eats right through. Yes, get Pirelli's! / Use a bottle of it! / Ladies seem to love it... Flies do, too!
Art, in itself, is an attempt to bring order out of chaos.
Careful the spell you cast, not just on children. Sometimes the spell may last Past what you can see And turn against you... Careful the tale you tell. That is the spell.
The silent thing onstage allows for a kind of intimacy that no conversation can have. If I just shut up, we're forced to look at each other and really confront that moment.
So they were turning, after all - those cameras. Life, which can be strangely merciful, had taken pity on Norma Desmond. The dream she had clung to so desperately had enfolded her. Norma: You see, this is my life. It always will be! (In a whisper) There's nothing else - just us - and the cameras - and those wonderful people out there in the dark. All right, Mr. De Mille, I'm ready for my close-up.
When you're a writer and something difficult happens to you, one of the things involved in that is this emergence of narrative potential. And there's then a kind of self-consciousness about telling a story in which you suffered.
I had still the ambition, formed in Sligo in my teens, of living in imitation of Thoreau on Innisfree, a little island in Lough Gill, and when walking through Fleet Street very homesick I heard a little tinkle of water and saw a fountain in a shop window which balanced a little ball upon its jet, and began to remember lake water. From the sudden remembrance came my poem Innisfree.
What lists and awards don't measure - and I feel this strongly - is the lasting value of any work of art. They're a snapshot of a moment, and one should always consider their judgments in that context.
If you truly love film, I think the healthiest thing to do is not read books on the subject. I prefer the glossy film magazines with their big color photos and gossip columns, or the National Enquirer. Such vulgarity is healthy and safe.
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