May I suggest that you all read? And often. Believe me, it's nice to have something to talk about other than the weather and the Queen's health. Your mind is not a cage. It's a garden. And it requires cultivating.
Libba BrayRead
In a world beyond this one, that river goes on singing sweetly, enchanting us with what we want to hear, shaping what we need to see in order to keep going. In those waters, all disappointments are forgotten, our mistakes forgiven. Gazing into them, we see a strong father. A loving mother. Warm rooms where we are sheltered, adored, wanted. And the uncertainty of our futures is nothing more than the fog of breath on a windowpane.
Interpretation
This quote reflects on how our perceptions and desires shape our understanding of reality, offering comfort amidst uncertainty.
Libba Bray's quote explores the idea that our imagination and hopes can create a sanctuary in our minds, where past disappointments fade, and we find solace in the figures of nurturing parents and the warmth of home. It emphasizes the resilience of the human spirit and the power of perception to transform our fears into something more manageable, symbolized by the fog on a windowpane—temporary and easily cleared away.
In practice
This quote can serve as a comforting reminder during a graduation speech about facing the future.
May I suggest that you all read? And often. Believe me, it's nice to have something to talk about other than the weather and the Queen's health. Your mind is not a cage. It's a garden. And it requires cultivating.
In school, they would tell you that life wouldn’t come to you; you had to go out and make it your own. But when it came to love, the message for girls seemed to be this: Don’t. Don’t go after what you want. Wait. Wait to be chosen, as if only in the eye of another could one truly find value. The message was confusing and infuriating. It was a shell game with no actual pea under the rapidly moving cups.
I am no longer content to be the scared, obedient schoolgirl. Who are you, a stranger, to tell me what I can and cannot do?
We all walk in a land of dreams. For what are we but atoms and hope, a handful of stardust and sinew? We are weary travelers trying to find our way home on a road that never ends. Am I a part of your dream? or are you but a part of mine?
We're all strangers connected by what we reveal, what we share, what we take away--our stories. I guess that's what I love about books--they are thin strands of humanity that tether us to one another for a small bit of time, that make us feel less alone or even more comfortable with our aloneness, if need be.
How terrible it is to have no cares, no longings. I do not fit. I feel too deeply and want too much. As cages go, it is a gilded one, but I shall not live well in it or any cage for that matter.
An artist has an obligation to tell the truth. [...] that the true horrors of human history derive not from orcs and Dark Lords, but from ourselves. We are the monsters. (And the heroes too). Each of us has within himself the capacity for great good, and great evil.
We never change. Neither our socks nor our masters nor our opinions, or we're so slow about it that it's no use. We were born loyal and that's what killed us! Soldiers free of charge, heroes for everyone else, talking monkeys, tortured words, we are the minions of King Misery...It's not a life.
It will be remembered, that a frequent recurrence to fundamental principles is solemnly enjoined by most of the state constitutions, and particularly by our own, as a necessary safeguard against the danger of degeneracy, to which republics are liable, as well as other governments, though in a less degree than others.
I am Ubik. Before the universe was, I am. I made the suns. I made the worlds. I created the lives and the places they inhabit; I move them here, I put them there. They go as I say, then do as I tell them. I am the word and my name is never spoken, the name which no one knows. I am called Ubik, but that is not my name. I am. I shall always be.
When the calamity we feared is already arrived, or when the expectation of it is so certain as to shut out hope, there seems to be a principle within us by which we look with misanthropic composure on the state to which we are reduced, and the heart sullenly contracts and accommodates itself to what it most abhorred.
Food is the moral right of all who are born into this world.
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