We live in a world where if you're white, an upper-class male of extreme privilege, and able-bodied, and you're nothing that takes you away from that norm, then you're going to have - then the world will not assign you problems because of what you are. That is actually the world we live in.
Interpretation
The quote highlights societal privilege based on race, class, and ability.
Michaela Coel's quote underscores the reality that individuals who fit the traditional norms of privilege—being white, upper-class, male, and able-bodied—often don't encounter the same challenges as those who do not. It reflects on how social structures create a disparity in the problems assigned to people's identities, suggesting a need for awareness and change regarding systemic inequalities.
In practice
In a seminar discussing social justice, this quote could illustrate the concept of privilege.
In Britain, we need to start presenting the option of being a writer in front of black women. We need to present the idea of being a writer into poorer communities because the majority of black people in this country are working class. We need to let working-class people know that their voices are important.
I don't believe in comedy as a TV genre - I think there's drama that is funny. Because beyond the laughs, there has to be cost, and there has to be heart.
I wanted to write a show about an estate that wasn't sad or morbid, like a lot of shows portray working class life to be.
When you've got African parents, you go to uni, do finance, and go into accounting. But I'm not good with systems. I dropped out in my final year of college to become a Christian poet. Then went back to do my A-levels and went to uni in Birmingham to do political science and theology. I lasted 12 weeks.
Growing up on our estate, we were all different colours, but we were all really poor. I never really realised that black was a problem for some people.
Where I grew up, in Aldgate, east London, one of the poorest boroughs in the country, I saw lots that was real - the bankers with their briefcases, the man next door with five wives, the illegal immigrants in Flat 5. I'm from a world you rarely see on screen, and I want to show it off.
The evasions of her little novel were exactly those of her life. Everything she did not wish to confront was also missing from her novella--and was necessary to it.
Gaza is often described as 'the world's largest open air prison' because no-one is allowed to enter or leave. But that seems a bit unfair to prisons - they don’t have their electricity and drinking water cut off randomly almost every day.
Hanging one scoundrel, it appears, does not deter the next. Well, what of it? The first one is at least disposed of.
The virtuous man contents himself with dreaming that which the wicked man does in actual life.
Once you buy the argument that some segment of the citizenry should lose their rights, just because they are envied or resented, you are putting your own rights in jeopardy - quite aside from undermining any moral basis for respecting anybody's rights. You are opening the floodgates to arbitrary power. And once you open the floodgates, you can't tell the water where to go.
My mother would write letters when I was away at camp and say, 'There's an Ann-shaped space around the house. Nobody fills an Ann-shaped space except an Ann.' I'm convinced we all have a God-shaped space in us, and until we fill that space with God, we'll never know what it is to be whole.
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