I've found nothing but support and generosity from older comics. I think comedians are a lot nicer than the stigma is, at least from my experience.
Bo BurnhamRead
I think it would collapse my heart if I was super famous. I don't have the nerve for it, I'm too anxious. I don't know how you're not obsessed with how people perceive you, because they're real people, you know? You can convince yourself that they don't really know you, and that's true, but how can it not hurt your feelings?
Interpretation
Fame can be emotionally overwhelming and challenging for sensitive individuals.
In this quote, Bo Burnham reflects on the emotional toll that fame can impose on a person. He highlights the anxiety that comes from being constantly evaluated by real people, feeling the weight of public perception, and how that pressure can lead to an overwhelming sense of vulnerability and fear of judgment.
In practice
This quote is perfect for a discussion on mental health and the impact of fame at a panel on celebrity culture.
I've found nothing but support and generosity from older comics. I think comedians are a lot nicer than the stigma is, at least from my experience.
There's only one rule in stand-up, which is that you have to be funny. Yet 99 per cent of comics look and talk exactly the same.
My career was exploding at the same time that social media itself was expanding. But when my online videos were taking off, I didn't think, 'Oh, great! I'm going to be able to parlay this into a career!' I just wanted to be a comedian. I just wanted to perform live.
I was definitely not the kid that just wanted to be famous for no reason whatsoever and then happened to find comedy. Fame and all that stuff have always been slightly terrifying to me, and it makes me very anxious.
I'd much rather wait till my material is up to par, in my opinion, than rush it just so I can stay in the limelight a little longer.
Life, to me, doesn't feel like a straightforward story; it doesn't make sense for me to get up there and just tell a story. Life feels like what my show feels like: chaotic and strange and disconnected.
Extremes are for us as though they were not, and we are not within their notice. They escape us, or we them. This is our true state; this is what makes us incapable of certain knowledge and of absolute ignorance... This is our natural condition, and yet most contrary to our inclination; we burn with desire to find solid ground and an ultimate sure foundation whereon to build a tower reaching to the Infinite. But our whole groundwork cracks, and the earth opens to abysses.
I finally understood: In order to contribute to Africa, I would have to know myself better and be clearer about my goals. I would have to be ready to take Africa on its own terms, not mine, and to learn my limits and present myself not as a do-gooder with a big heart, but as someone with something to give and gain by being there. Compassion wasn't enough
The Buddhists say there are 149 ways to God. I'm not looking for God, only for myself, and that is far more complicated. God has had a great deal written about Him; nothing has been written about me. God is bigger, like my mother, easier to find, even in the dark. I could be anywhere, and since I can't describe myself I can't ask for help.
My grandfather was dying, and told the family he had decided to die. ... At that moment I wanted so badly to write and tell him that he was never going to die, that somehow he would always be present in my life, because he had a theory that death didn't exist, only forgetfulness did. He believed that if you can keep people in your memory, they will live forever. That's what he did with my grandmother.
I will come out with my interpretation. If I'm wrong, fine. It will become part of the debris of history, part of the give and take.
I think there's a lot of anesthesia being - that's been pumped into American culture, the mass media television, various forms of entertainment, and the illusion of wealth that we now understand to be an illusion as well as the illusion that America is a world power.
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