Whenever I get an idea for a song, even before jotting down the notes, I can hear it in the orchestra, I can smell it in the scenery, I can see the kind of actor who will sing it, and I am aware of an audience listening to it.
Richard RodgersRead
I would like, if I can, to broaden the possibilities of the musical theater. I think there's a better 'Oklahoma!' someplace, a better 'West Side Story.' And I'd like to be mixed up in it.
Interpretation
The quote expresses a desire to enhance and expand the musical theater landscape.
Richard Rodgers conveys his aspiration to contribute to the evolution of musical theater by envisioning a future where improved versions of iconic shows like 'Oklahoma!' and 'West Side Story' exist. His statement reflects a deep commitment to creativity and innovation in the arts, suggesting that there is always room for growth and new possibilities within artistic expressions.
In practice
In a speech about the future of theater, you might quote this to inspire others to push boundaries.
Whenever I get an idea for a song, even before jotting down the notes, I can hear it in the orchestra, I can smell it in the scenery, I can see the kind of actor who will sing it, and I am aware of an audience listening to it.
In many ways, a song-writing partnership is like a marriage. Apart from just liking each other, a lyricist and a composer should be able to spend long periods of time together - around the clock if need be - without getting on each other's nerves. Their goals, outlooks, and basic philosophies should be similar.
If somebody wants to sing my songs after I'm gone, nobody will be happier than my dead body.
There isn't anything I wanted to do that I haven't. At the same time, there isn't anything I've ever done that I didn't want to do better.
I do not believe in the art which is not the compulsive result of man's urge to open his heart
Nothing in art should seem accidental, not even movement
For me, a poem is an opportunity to kind of interrogate myself a little bit.
Maybe, as a Chinese woman, I was never told I would be a filmmaker, so I didn't have the ego set up.
There was a beauty in the trash of the alleys which I had never noticed before; my vision seemed sharpened, rather than impaired. As I walked along it seemed to me that the flattened beer cans and papers and weeds and junk mail had been arranged by the wind into patterns; these patterns, when I scrutinized them, lay distributed so as to comprise a visual language.
There is something bigger than fact: the underlying spirit, all it stands for, the mood, the vastness, the wildness.
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