Try to discover who I am from my choice of words and colors, as attentive people like yourselves might examine footprints to catch a thief.
Orhan PamukRead
I would be pleased if someone would invent a pill to remove my impatience, moodiness, and occasional bursts of anger. But if they did, I wouldn't be able to write my novels or paint.
Interpretation
Impatience and emotional struggles can fuel creativity.
Orhan Pamuk reflects on the idea that the very feelings and flaws we wish to eliminate, such as impatience and moodiness, are also what make us capable of creating art. He suggests that these emotional experiences, while challenging, are integral to his creative process and contribute to the depth of his writing and painting.
In practice
In a speech about the importance of emotions in art, I could quote Pamuk.
Try to discover who I am from my choice of words and colors, as attentive people like yourselves might examine footprints to catch a thief.
The beauty and mystery of this world only emerges through affection, attention, interest and compassion . . . open your eyes wide and actually see this world by attending to its colors, details and irony.
Where there is true art and genuine virtuosity the artist can paint an incomparable masterpiece without leaving even a trace of his identity.
It was in Cihangir that i first learned Istanbul was not an anonymous multitude of walled-in lives - a jungle of apartments where no one knew who was dead or who was celebrating what - but an archipelago of neighbourhoods in which everyone knew each other.
We had no desire to live in Istanbul, nor in Paris or New York. Let them have their discos and dollars, their skycrapers and supersonics transports. Let them have their radios and their color TV, hey, we have ours, don't we? But we have something they don't have. Heart. We have heart. Look, look how the light of life seeps into my very heart
These political movements flourish on the margins of Turkish society because of poverty and because of the people's feeling that they are not being represented.
Most poets are young simply because they have not been caught up. Show me an old poet, and I'll show you, more often than not, either a madman or a master... it's when you begin to lie to yourself in a poem in order simply to make a poem that you fail. That is why I do not rework poems.
You know, they ask me if I were on a desert island and I knew nobody would ever see what I wrote, would I go on writing. My answer is most emphatically yes. I would go on writing for company. Because I'm creating an imaginary - it's always imaginary - world in which I would like to live.
Oh Woman, come before us, before our eyes longing for beauty, and tired of the ugliness of civilization, come in simple tunics, letting us see the line and harmony of the body beneath, and dance for us. Dance us the sweetness of life. Give us again the sweetness and the beauty of the true dance, give us again the joy of seeing the simple unconscious pure body of a woman. Like a great call it has come, and women must hear it and answer it.
Part of any book is establishing the rules at the end of the world. My first book, 'The Intuitionist,' takes place in an alternative world where elevator inspectors are important, so you have to establish rules, and part of that is, How do people talk? How do they behave?
A work of art is the unique result of a unique temperament. Its beauty comes from the fact that the author is what he is. ...Art is the most intense mode of Individualism that the world has known. I am inclined to say that it is the only real mode of Individualism that the world has known. ...Art is Individualism.
You know, young actors say all the time, 'Should I use my own life experience?' And my response is, 'What choice do you have?'
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