The writer can choose what he writes about but he cannot choose what he is able to make live.
Interpretation
A writer controls their subjects but not the essence of their creations.
Flannery O'Connor's quote suggests that while a writer has the freedom to choose the topics they write about, the true depth and vitality of their work come from an intrinsic quality that is beyond their control. This emphasizes the idea that creativity is a complex interplay of intention and inspiration, where the writer's ability to breathe life into their words is governed by factors that are often mysterious and unpredictable.
In practice
A motivational speech for aspiring writers at a literary event.
Let me make no bones about it: I write from the standpoint of Christian orthodoxy. Nothing is more repulsive to me than the idea of myself setting up a little universe of my own choosing and propounding a little immoralistic message. I write with a solid belief in all the Christian dogmas.
What people donβt realize is how much religion costs. They think faith is a big electric blanket, when of course it is the cross.
If you live today, you breath in nihilism ... it's the gas you breathe. If I hadn't had the Church to fight it with or to tell me the necessity of fighting it, I would be the stinkingest logical positivist you ever saw right now.
There won't be any biographies of me because, for only one reason, lives spent between the house and the chicken yard do not make exciting copy.
Knowing who you are is good for one generation only. You haven't the foggiest idea where you stand now or who you are
He loved her because it was his nature to do so, but there were times when he could not endure her love for him. There were times when it became nothing but pure idiot mystery.
Make it simple. Make it memorable. Make it inviting to look at. Make it fun to read.
Espresso is to Italy, what champagne is to France.
Music is the cup which holds the wine of silence.
I always thought that poetry is the verdict that others give to a certain kind of writing. So to call yourself a poet is a kind of dangerous description. It's for others; it's for others to use.
In making movies, time is so short-because it is so expensive-that we tend to neglect the place from which the best ideas come, namely that part of ourselves that dreams. The unconscious is our best collaborator.
I never try to convey a message, I just want to tell a story. Why that story in particular? I have no idea, but I have learned to surrender to the muse. I become obsessed with a theme or with certain stories; they haunt me for years, and finally, I write them.
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