Art is inherently political. Even trying to make a film that has nothing to do with politics is, in and of itself, a political act.
Barry JenkinsRead
As a writer, a blank page will humble the hell out of you. It always does, and it always will.
Interpretation
The blank page represents the daunting challenge faced by writers, reminding them of their vulnerability and the creative struggle.
This quote by Barry Jenkins illustrates the profound humility that writers experience when confronted with a blank page. It captures the essence of the creative process, highlighting the fear, uncertainty, and self-doubt that often accompany the act of creation, while also reaffirming that this struggle is a constant and universal aspect of the writing journey.
In practice
In a speech at a writers' conference to inspire fellow authors about the writing process.
Art is inherently political. Even trying to make a film that has nothing to do with politics is, in and of itself, a political act.
'Moonlight' is a story that hasn't been told. Whether placed as queer black cinema or urban male cinema, the lack of coming-of-age films featuring people like Chiron and set in places like inner-city Miami is pronounced and unfortunate.
It's interesting because I think class is a heavy, heavy part of 'Moonlight,' and I think, in a certain way, through the sum of all these parts, it's become a commentary on the black experience in America.
I have friends who I consider my peers, who have done amazing work, particularly in the film and television space, who came up as independent artists and who have been - to be brutally honest - much more prolific than I was able to be.
Cinema is a little over 100 years old, and a lot of what we do is built around film emulsion. Those things were calibrated for white skin. We've always placed powder on skin to dull the light. But my memory of growing up in Miami is this moist, beautiful black skin.
'Moonlight' changed me. To see people so moved by this movie inspires me to find something else to offer. And maybe the next one touches only five people or maybe just one person. To me, you know, that would still be worth it.
My tendency as an actor was to correct people, was to say, 'What if we tried it this way, what about if we tried that way?' That's terrible habit for an actor, but that's a good habit for director. So I became a director.
The odd thing about being a writer is you do tend to lose yourself in your books. Sometimes it seems like real life is flickering by and you're hardly a part of it. You remember the events in your books better than you remember the events that actually took place when you were writing them.
As a dancer, you really try to stay true to whatever the choreographer/artistic director is giving you. So, now the shoe is on the other foot and I have to trust everyone else - I have to trust the dancer. As I was trusted as a dancer, I trust my dancers.
I'm not trying to be a poet on Twitter; I'm trying to be aware of the fact that a very simple sentence, well written, can have a very moving effect without that person knowing why. There's a deep genetic part of you that somehow, even without your permission, recognizes good language when it arrives.
The way I write is very much without kind of a goal. I have something I'm interested in and then I decide I'm going to explore it. I don't know where the characters are going to go, I don't know what the movie is going to do or what the screenplay is going to do. For me, that's the way to keep it alive.
Music in itself carries a whole set of messages which are very, very rich and complex, and the words either serve to exclude certain ones or point up certain others.
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