Don't take shadows too seriously. Reality is your only safety. Continue to reject illusion.
Wole SoyinkaRead
The writer is the visionary of his people... He anticipates, he warns.
Interpretation
The quote emphasizes the crucial role of a writer in society as a foresighted guide and communicator of ideas and warnings.
Wole Soyinka articulates the profound responsibility and power of writers, suggesting that they serve as visionaries who can foresee societal trends and challenges. Through their narratives and reflections, writers not only entertain but also alert their communities to potential dangers or truths, acting as both a mirror and a beacon for their people's conscience.
In practice
During a literary festival, a speaker might quote this to emphasize the role of writers in shaping public discourse.
Don't take shadows too seriously. Reality is your only safety. Continue to reject illusion.
Trading and religion have always been aligned together in the history of the world, and especially on the African continent.
A war, with its attendant human suffering, must, when that evil is unavoidable, be made to fragment more than buildings: It must shatter the foundations of thought and re-create. Only in this way does every individual share in the cataclysm and understand the purpose of sacrifice.
Rwanda, which is one of the younger independent states in Africa, must be regarded as a model of how great human trauma can be transformed to commence true reconstruction of people. Human trauma can lead to stunted growth and mass withdrawal.
I have a kind of magnetic attraction to situations of violence.
Art is solace; art is vision, and when I pick up a literary work, I am a consumer of literature for its own sake.
That young man with the long, auburn hair and the impudent face - that young man was not really a poet; but surely he was a poem.
It skims in through the eye, and by means of the utterly delicate retina hurls shadows like insect legs inward for translation. Then an immense space opens up in silence and an endlessly fecund sub-universe the writer descends, and asks the reader to descend after him, not merely to gain instructions but also to experience delight, the delight of mind freed from matter and exultant in the strength it has stolen from matter.
I don't know why people expect art to make sense. They accept the fact that life doesn't make sense.
A musician's whole life is to listen.
In my career as a director, there's always been some point where you get halfway through it, or three-quarters, and you go: 'What is this thing all about, and why am I telling the story? Does anybody really care about seeing this?' At that time you have to say: 'OK, forget that and just go ahead.'
It must be extremely uncomfortable to live with a writer - all that preoccupation and brooding.
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