I'll tell you something, and this is true: I've never been able to write a film which I didn't respect. I just can't do it. I'm very happy about all the films I haven't done.
Harold PinterRead
As a writer you're holding a dog. You let the dog run about. But you finally can pull him back. Finally, I'm in control. But the great excitement is to see what happens if you let the whole thing go. And the dog or the character really runs about, bites everyone in sight, jumps up trees, falls into lakes, gets wet, and you let that happen. That's the excitement of writing plays-to allow the thing to be free but still hold the final leash.
Interpretation
This quote describes the delicate balance of creativity and control that a writer must maintain.
Harold Pinter's quote illustrates the dual nature of the writing process, where a writer allows their imagination to explore freely while also retaining the authority to guide the narrative. It emphasizes the thrill of creativity, akin to letting a dog run wild, and the joy of discovering unexpected outcomes in the storytelling while ensuring that the writer can still direct the course of the narrative when needed.
In practice
This quote could be shared at a writer's workshop to inspire attendees to embrace their creativity.
I'll tell you something, and this is true: I've never been able to write a film which I didn't respect. I just can't do it. I'm very happy about all the films I haven't done.
All that happens is that the destruction of human beings - unless they're Americans - is called collateral damage.
I do tend to think that I've written a great deal out of my unconscious because half the time I don't know what a given character is going to say next.
I never think of myself as wise. I think of myself as possessing a critical intelligence which I intend to allow to operate.
It's so easy for propaganda to work, and dissent to be mocked.
There are places in my heart...where no living soul...has...or can ever...trespass.
Poor body, time and the long years were the first tailors to teach you the merciless use of clothes. Though some scold today because you are too much seen, to my mind, you are not seen fully enough or often enough when you are beautiful.
I'm not a builder of buildings, I'm a builder of collections.
When I was 21 I wanted to write like Kafka. But, unfortunately for me, I wrote like a script editor for The Simpsons who'd briefly joined a religious cult and then discovered Foucault. Such is life.
There's an opera out on the turnpike, there's a ballet being fought out in the alley.
I still get a little nervous before performing. You don't want to forget a lyric; you don't want to make a mistake. I still get butterflies. You can try to judge an audience, but you can only really judge things by the applause.
To be true to life, a novel must have an ending that is inevitable given the specific personalities of the characters involved. The novelist must not impose an ending upon them.
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