I'll tell you something, and this is true: I've never been able to write a film which I didn't respect. I just can't do it. I'm very happy about all the films I haven't done.
Harold PinterRead
As a writer you're holding a dog. You let the dog run about. But you finally can pull him back. Finally, I'm in control. But the great excitement is to see what happens if you let the whole thing go. And the dog or the character really runs about, bites everyone in sight, jumps up trees, falls into lakes, gets wet, and you let that happen. That's the excitement of writing plays-to allow the thing to be free but still hold the final leash.
Interpretation
This quote describes the delicate balance of creativity and control that a writer must maintain.
Harold Pinter's quote illustrates the dual nature of the writing process, where a writer allows their imagination to explore freely while also retaining the authority to guide the narrative. It emphasizes the thrill of creativity, akin to letting a dog run wild, and the joy of discovering unexpected outcomes in the storytelling while ensuring that the writer can still direct the course of the narrative when needed.
In practice
This quote could be shared at a writer's workshop to inspire attendees to embrace their creativity.
I'll tell you something, and this is true: I've never been able to write a film which I didn't respect. I just can't do it. I'm very happy about all the films I haven't done.
All that happens is that the destruction of human beings - unless they're Americans - is called collateral damage.
I do tend to think that I've written a great deal out of my unconscious because half the time I don't know what a given character is going to say next.
I never think of myself as wise. I think of myself as possessing a critical intelligence which I intend to allow to operate.
It's so easy for propaganda to work, and dissent to be mocked.
There are places in my heart...where no living soul...has...or can ever...trespass.
While writing, I tend to repeat the same song, endlessly, for thousands of times. This helps me ignore any lyrics, and helps create a consistent mood for each book.
I don't go to shows because I just want to listen to the music performed live. I want to get to know the person who's performing it. Or I want to, like, take away a sense that I had an experience that nobody else is going to have again, or a unique experience for that moment.
In the 'Nude Descending a Staircase,' I wanted to create a static image of movement: movement is an abstraction, a deduction articulated within the painting, without our knowing if a real person is or isn't descending an equally real staircase.
Being a singer is a natural gift. It means I'm using to the highest degree possible the gift that god gave me to use. I'm happy with that.
Some days, it seems to me like the purpose of life is to convert energy into beauty.
It's very important that when you have a designer like Marc Jacobs, who is a genius, you give him complete freedom.
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